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Interior of the Egyptian Hall, 1897. Creator: Unknown
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Interior of the Egyptian Hall, 1897. Creator: Unknown
Interior of the Egyptian Hall, 1897. A banquet in the Egyptian Hall of the Mansion House, official residence of the Lord Mayor of London. The design, by George Dance the Elder, was inspired by Roman buildings in Egypt. It was built between 1739 and 1752. From Old and New London, Volume I, by Walter Thornbury. [Cassell and Company, Limited, London, Paris & Melbourne, 1897]
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Media ID 18097597
© The Print Collector / Heritage-Images
Banquet Cassell Company Ltd Egyptian Hall George Dance George Dance The Elder George I George Walter George Walter Thornbury Mansion House Neo Classical Neo Classicism Neoclassical Old And New London Palladian Palladianism Publisher Senior The Elder Thornbury Neoclassicism
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EDITORS COMMENTS
This print captures the grandeur of the Interior of the Egyptian Hall in 1897. The hall, located within the Mansion House, served as the official residence of the Lord Mayor of London. Inspired by Roman architecture in Egypt, this neoclassical masterpiece was designed by George Dance the Elder and constructed between 1739 and 1752. The image showcases a lavish banquet taking place within these magnificent walls. Pillars rise majestically towards an intricately decorated ceiling, creating an atmosphere of elegance and opulence. The monochrome tones add a timeless quality to this snapshot from history. As we delve into this visual treasure from Old and New London, Volume I by Walter Thornbury, we are transported back to a time when Britain's architectural prowess knew no bounds. The meticulous attention to detail is evident in every aspect of this building - from its Palladian influences to its neo-classical design elements. Intriguingly enough, despite being captured over a century ago, the identity of the photographer remains unknown. However, their skillful composition allows us to appreciate both the scale and intimacy present within these hallowed halls. This print serves as a testament not only to British craftsmanship but also to our enduring fascination with history and artistry. It invites us to step into another era where banquets were held amidst columns that whispered tales of power and prestige.
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