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Grave. Jean. 38 ans, ne le 16 / 10 / 54 a Breuil (Puy de Dome). Typographe
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Grave. Jean. 38 ans, ne le 16 / 10 / 54 a Breuil (Puy de Dome). Typographe
Grave. Jean. 38 ans, ne le 16/10/54 a Breuil (Puy de Dome). Typographe. Anarchiste. 9/1/94. 1894
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Media ID 20137554
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Alphonse Alphonse Bertillon Anarchism Anarchist Anthropology Anthropometry Arrest Arrested Bertillon Bertillon Alphonse Bertillonage Criminal Identification Mug Shot Mugshot Physical Anthropology Typesetter Albumen Print Albumen Silver Print Typographer
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Grave. Jean. 38 ans, ne le 16/10/54 a Breuil (Puy de Dome). Typographe. Anarchiste. 9/1/94.1894
EDITORS COMMENTS
. This print by Alphonse Bertillon captures the enigmatic figure of Jean Grave, a typographer from France who was deeply involved in anarchist movements during the late 19th century. The image showcases Grave's arresting gaze and rugged features, reflecting both his defiance against societal norms and his commitment to political activism. Bertillon's expertise in anthropometry is evident in this meticulously composed portrait, as he sought to document not only physical characteristics but also the essence of an individual's identity through photography. Through this lens, we glimpse into the world of criminal identification and early scientific advancements in understanding human traits. The photograph serves as a historical artifact that sheds light on the turbulent times when anarchism gained momentum as a political ideology challenging established authority structures. It encapsulates the spirit of rebellion that characterized many individuals like Jean Grave during this era. Displayed at The Metropolitan Museum of Art, this remarkable albumen silver print invites viewers to delve into an intriguing chapter of French history while contemplating themes such as politics, occupation, and personal freedom within society. As we admire this snapshot frozen in time, let us reflect on how images can transcend their initial purpose and become powerful symbols representing larger social movements—a testament to both Bertillon's artistic vision and Jean Grave's unw
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