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Going to the Post, Morris Park, 1904. Creator: Alfred Stieglitz

Going to the Post, Morris Park, 1904. Creator: Alfred Stieglitz


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Going to the Post, Morris Park, 1904. Creator: Alfred Stieglitz

Going to the Post, Morris Park, 1904. A work made of photogravure

Heritage Images features heritage image collections

Media ID 23866991

© Heritage Art/Heritage Images

Alfred Stieglitz Anticipation Bend Grandstand Horse Racing Onlooker Onlookers Photogravure Race Race Course Racecourse Rivalry Spectator Spectators Stieglitz Alfred Suspense


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> Animals > Farm > Horses > Related Images

> Animals > Mammals > Horse > Racing

> North America > United States of America > New York > New York > Related Images


Going to the Post, Morris Park, 1904 - Capturing the Thrill of Horse Racing in a Bygone Era

EDITORS COMMENTS
. In this photogravure print by Alfred Stieglitz, titled "Going to the Post, Morris Park, 1904" we are transported back to the early 20th century in America. The image depicts an exhilarating scene at a horse racecourse in Westchester County, New York State. As our eyes wander through the frame, we see a diverse crowd eagerly anticipating the start of a thrilling race. Men and women alike gather around the grandstand with anticipation etched on their faces. The atmosphere is charged with suspense as riders mount their majestic horses and prepare for competition. Stieglitz skillfully captures not only the excitement but also reveals glimpses of daily life during that era. The vintage attire worn by both men and women reflects fashion trends of early 20th-century America. Horses stand tall and proud beside their jockeys while onlookers observe every detail from various vantage points. This artwork transports us to a time when horse racing was not just a sport but also an integral part of American culture. It serves as a testament to Stieglitz's mastery in capturing moments that transcend time – where rivalry meets tradition against the backdrop of scenic landscapes. "Going to the Post, Morris Park, 1904" stands as an enduring piece within Stieglitz's body of work –

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