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The goddess Fortuna, late 16th-early 17th century, (1943). Creator: Alessandro Allori

The goddess Fortuna, late 16th-early 17th century, (1943). Creator: Alessandro Allori


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The goddess Fortuna, late 16th-early 17th century, (1943). Creator: Alessandro Allori

The goddess Fortuna, late 16th-early 17th century, (1943). Fortuna, the personification of luck in Roman mythology, riding the Rota Fortunae (wheel of fortune). Drawing in the Uffizi Gallery, Florence. From " Europaische Handzeichnungen", (Five Hundred Years of European Drawings), by Bernhard Degenhart. [Atlantis-Verlag Berlin, Zurich, 1943]

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Media ID 19066304

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Alessandro Allori Bernhard Bernhard Degenhart Degenhart Europaische Handzeichnungen Fortuna Fortune Luck Wheel Wheel Of Fortune Alessandro Allori Chalk Metaphor


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EDITORS COMMENTS
This print captures the exquisite drawing of "The goddess Fortuna" by Alessandro Allori, dating back to the late 16th-early 17th century. The artwork is showcased in the Uffizi Gallery in Florence, Italy. In this image, we see Fortuna, the Roman goddess of luck, gracefully riding on the Rota Fortunae or wheel of fortune. This allegorical representation symbolizes how luck can change at any moment and emphasizes the unpredictable nature of life. Alessandro Allori's meticulous attention to detail is evident in every stroke of chalk used to create this masterpiece. The monochrome palette adds a timeless quality to the artwork, allowing viewers to appreciate its beauty across centuries. "The goddess Fortuna" serves as a powerful metaphor for human existence and our constant pursuit of good fortune. As we gaze upon this drawing, we are reminded that luck can be both fickle and transformative. Bernhard Degenhart's book "Europaische Handzeichnungen" showcases this remarkable piece among other European drawings spanning five hundred years. Its inclusion in such a prestigious collection further solidifies its significance within Renaissance art history. This print from Heritage Images offers us an opportunity to delve into religious iconography while appreciating Allori's skillful portrayal of female divinity during a time when women were often marginalized in society. It invites us to reflect on our own beliefs about fate and fortune while marveling at the artistic genius captured within these

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