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Giuseppe Garibaldi turning the British idea of the Roman Catholic church out of Naples, 1860

Giuseppe Garibaldi turning the British idea of the Roman Catholic church out of Naples, 1860


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Giuseppe Garibaldi turning the British idea of the Roman Catholic church out of Naples, 1860

Giuseppe Garibaldi turning the British idea of the Roman Catholic church out of Naples, 1860. Cartoon from Punch, London, 22 September 1860. Wood engraving

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Media ID 14840102

© Ann Ronan Picture Library / Heritage-Images

Garibaldi Giuseppe Giuseppe Garibaldi Patriot Religious Practices Unification Unification Of Italy Ann Ronan Pictures Nationhood Roman Catholicism Wood Engraving


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EDITORS COMMENTS
This black and white wood engraving captures a pivotal moment in Italian history - Giuseppe Garibaldi turning the British idea of the Roman Catholic Church out of Naples in 1860. The cartoon, originally published in Punch magazine on September 22nd, depicts Garibaldi as a patriotic figure standing up against foreign influence and advocating for the unification of Italy. In this satirical caricature, we see Garibaldi portrayed as a strong-willed leader with determination etched across his face. He is shown physically pushing away the "British idea" represented by a personified Roman Catholic Church. This image symbolizes his resistance to external control over religious practices and emphasizes his commitment to establishing an independent nationhood. The artist's use of monochrome adds depth and intensity to the scene, highlighting both the seriousness and historical significance of this event. Through this print, Giuseppe Garibaldi emerges as a central figure in Italy's struggle for unity during the 19th century. As we gaze upon this illustration, it serves as a reminder of how religion can intersect with politics and nationalism. It encapsulates an era when individuals like Garibaldi fought tirelessly to shape their country's destiny while challenging established institutions. This print from Heritage Images not only provides us with insight into Italian history but also invites contemplation about power dynamics between nations, religions, and individuals striving for change.

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