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Gatinet. Pierre, Adrien. 50 ans, ne le 13 / 10 / 43 a Bourges (Cher). Charpentier

Gatinet. Pierre, Adrien. 50 ans, ne le 13  /  10  /  43 a Bourges (Cher). Charpentier


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Gatinet. Pierre, Adrien. 50 ans, ne le 13 / 10 / 43 a Bourges (Cher). Charpentier

Gatinet. Pierre, Adrien. 50 ans, ne le 13/10/43 a Bourges (Cher). Charpentier. Anarchiste. 2/7/94. 1894

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Media ID 20138362

© Heritage Art/Heritage Images

Alphonse Alphonse Bertillon Anarchism Anarchist Anthropology Anthropometry Arrest Arrested Bertillon Bertillon Alphonse Bertillonage Carpenter Criminal Identification Mug Shot Mugshot Physical Anthropology Albumen Print Albumen Silver Print


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> Arts > Contemporary art > Photography > Portraits

> Arts > Contemporary art > Portraits > Portrait photography

> Arts > Portraits > Black and white portraits > Fine art portraits

> Arts > Portraits > Black and white portraits

> Arts > Street art graffiti > Portraits > Portrait photography

> Europe > France > Canton > Cher

> Europe > France > Le Mans

> North America > United States of America > New York > New York > Sights > Metropolitan Museum of Art

> Popular Themes > Politics


EDITORS COMMENTS
This photo print, titled "Gatinet. Pierre, Adrien" captures the essence of a man named Pierre Adrien Gatinet at 50 years old. Born on October 13th, 1943 in Bourges (Cher), France, Gatinet worked as a skilled carpenter. However, his profession was not the only intriguing aspect of his life. The photograph is an albumen silver print from the 19th century by Alphonse Bertillon, a renowned anthropologist and pioneer in criminal identification techniques. Known for his concept of bertillonage and anthropometry, Bertillon used this mugshot to document individuals' physical characteristics for scientific and law enforcement purposes. What sets Gatinet apart is his political affiliation as an anarchist. This portrait showcases not only his appearance but also hints at the complex socio-political landscape of late 19th-century France. Displayed at The Metropolitan Museum of Art as part of their heritage art collection, this image serves as a historical artifact that sheds light on both personal identity and societal dynamics during that era. It invites viewers to ponder questions about crime, politics, and individuality within a rapidly changing world. As we gaze upon Gatinet's arresting expression captured through time by Bertillon's lens, we are reminded that every face tells a story – one that intertwines personal choices with broader historical contexts.

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