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Frontispiece to the Book of Prophets, 17th century. Creator: Matthaus Merian

Frontispiece to the Book of Prophets, 17th century. Creator: Matthaus Merian


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Frontispiece to the Book of Prophets, 17th century. Creator: Matthaus Merian

Frontispiece to the Book of Prophets, 17th century. From Martin Luther Bible

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Media ID 35122075

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Frontispiece Jewish Judaism Matthaus Merian Matthäus Merian The Elder Merian Matthaus Prophet Prophets Script Swiss Switzerland Etched Lacma Los Angeles County Museum Of Art White And Black


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EDITORS COMMENTS
This striking frontispiece, created by Matthaus Merian in the 17th century, is the introduction to the Book of Prophets in Martin Luther's German Bible. Merian, a renowned Swiss engraver and publisher, brought his exceptional artistic skills to bear on this intricately detailed etching. The image is a visual representation of the Old Testament prophets, who were considered the forerunners of Jesus Christ in Jewish and Christian traditions. Merian's frontispiece is a testament to the rich heritage of European art during the 17th century. The black and white contrast creates a sense of depth and drama, with the prophets depicted in various poses and scenes, each accompanied by a biblical quote in elegant, flowing script. The location of the prophets is diverse, reflecting their roles as messengers of God in different parts of the world. This frontispiece is not only a work of art but also a significant piece of literature, as it was an integral part of the widely used Martin Luther Bible. The intricate lettering and the careful placement of each prophet demonstrate Merian's mastery of the medium of etching. The image, now housed at the Los Angeles County Museum of Art (LACMA), is a reminder of the enduring influence of religious art in shaping the cultural and artistic landscape of Europe and beyond. Merian's frontispiece to the Book of Prophets is a visual feast for the eyes and a testament to the power of art to convey complex ideas and stories. It is a must-see for anyone interested in the history of art, religion, or the intersection of the two.

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