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Fragment of a mural with a three-eyed demon with skulls in their hair, 8th-9th century. Creator: Sogdian Art

Fragment of a mural with a three-eyed demon with skulls in their hair, 8th-9th century. Creator: Sogdian Art


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Fragment of a mural with a three-eyed demon with skulls in their hair, 8th-9th century. Creator: Sogdian Art

Fragment of a mural with a three-eyed demon with skulls in their hair, 8th-9th century. Found in the Collection of the National Museum of Antiquities of Tajikistan, Dushanbe

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Media ID 36218169

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Dushanbe Fresco Objects Sogdian Art The Oriental Arts Zoroaster Zoroastrianism


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EDITORS COMMENTS
1. Title: Fragment of a Mural with a Three-eyed Demon from Sogdian Art (8th-9th Century) This fragment of a mural, hailing from the National Museum of Antiquities of Tajikistan in Dushanbe, showcases the rich artistic heritage of Sogdian culture. Dating back to the 8th-9th centuries, this piece is a testament to the intricate and complex symbolism that characterized Sogdian art. The central figure of the mural is a three-eyed demon, adorned with skulls in its hair. This demonic figure is a common motif in the art of ancient Central Asia, representing various deities or supernatural beings from the region's diverse religious traditions. The presence of multiple eyes may symbolize all-seeing wisdom or omniscience, while the skulls in the demon's hair could signify the transience of life and the triumph of the eternal over the ephemeral. Sogdian art is known for its fusion of influences from various civilizations, including the Iranian, Greek, and Chinese. This fragment, with its intricate detailing and bold use of color, exemplifies the syncretic nature of Sogdian artistic expression. The mural's vibrant hues and dynamic composition draw the viewer in, inviting exploration of the deeper meanings and symbolism that lie beneath the surface. The influence of Zoroastrianism, an ancient Iranian religion founded by the prophet Zarathustra (also known as Zoroaster), is evident in this piece. The three-eyed demon can be linked to the Avestan text, the Yasna, which describes the evil spirit Angra Mainyu, who is often depicted with multiple eyes and a crown of skulls. This fragment of a mural serves as a window into the past, offering a glimpse into the complex and fascinating world of Sogdian art and the rich cultural heritage of Central Asia.

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