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Fort Dumplings, 1859 / 74. Creator: James Wallace Black

Fort Dumplings, 1859  /  74. Creator: James Wallace Black


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Fort Dumplings, 1859 / 74. Creator: James Wallace Black

Fort Dumplings, 1859/74. [Fort Dumpling, officially called Fort Louis and, later, Fort Brown, overlooking the entrance to Narragansett Bay, Jamestown, Rhode Island, USA. Construction began in 1798]. Albumen print

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Media ID 24036729

© Heritage Art/Heritage Images

Atlantic Ocean Black James Black James Wallace Fort Historic Site James Black James Wallace Black Jamestown National Register Of Historic Places Ocean Albumen Print Fortifications


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> Arts > Landscape paintings > Landscape art > Landscape paintings

> Arts > Landscape paintings

> Europe > United Kingdom > England > Bristol > Bristol

> North America > United States of America > Rhode Island > Related Images


EDITORS COMMENTS
This print transports us back to the year 1859, capturing the majestic Fort Dumplings in all its glory. Created by renowned photographer James Wallace Black, this albumen print showcases his exceptional talent for capturing the essence of historical landmarks. Fort Dumplings, officially known as Fort Louis and later renamed Fort Brown, stands proudly overlooking the entrance to Narragansett Bay in Jamestown, Rhode Island. Its construction began way back in 1798, making it a significant piece of American history. The image depicts the fortification's impressive architecture against the backdrop of the vast Atlantic Ocean. The intricate details of its design are beautifully highlighted through Black's masterful use of photography. As we gaze upon this photograph today, we can't help but appreciate how it serves as a window into America's past. It reminds us of our country's rich heritage and the importance placed on protecting our shores throughout history. Now preserved within the National Register of Historic Places, Fort Dumplings continues to stand as a testament to human ingenuity and resilience. This artwork from James Wallace Black allows us to admire not only his artistic skill but also invites contemplation on how landscapes shape our collective identity over time.

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