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A Footnote, 1896. Creator: Aubrey Beardsley

A Footnote, 1896. Creator: Aubrey Beardsley


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A Footnote, 1896. Creator: Aubrey Beardsley

A Footnote, 1896. From The Savoy No. 2. A self portrait [of Aubrey Beardsley] in which the artist has fatefully bound himself to the god of Nature. Published in " The Best of Beardsley" edited by R. A. Walker, [The Bodley Head, London, 1948]

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Media ID 24364856

© Shirley Markham Collection/Heritage Images

Aubrey Beardsley Aubrey Vincent Beardsley Beardsley Aubrey Beardsley Aubrey Vincent Bodley Head Decadent Movement Garter Garters Herm Leonard Charles Smithers Leonard Smithers Publishing Publishing House R A Walker Rainforth Armitage Walker Rope Self Portrait Shirley Markham Smithers Leonard Smithers Leonard Charles Tied Up Walker Walker R A Walker Rainforth Armitage Graphic Design


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> Arts > Art Movements > Art Nouveau

> Arts > Artists > B > Aubrey Beardsley

> Arts > Literature > Books

> Arts > Literature > Illustration

> Arts > Literature

> Arts > Portraits > Black and white portraits > Fine art portraits

> Arts > Portraits > Black and white portraits

> Arts > Portraits

> Arts > Sculpture

> Europe > United Kingdom > England > London > Towns > Shirley


A Footnote, 1896

EDITORS COMMENTS
is a captivating self-portrait by the renowned artist Aubrey Beardsley. This print, featured in The Savoy No. 2, showcases Beardsley's unique style and his connection to the decadent movement of the late 19th century. In this striking image, Beardsley depicts himself as bound to the god of Nature, symbolizing his deep reverence for the natural world. Dressed in elaborate clothing with intricate details, he exudes an air of sophistication and artistic flair. His hairstyle adds to his distinctive persona, reflecting both creativity and rebellion against societal norms. Beardsley's use of satire is evident through his caricature-like portrayal of himself as a deity. Through this clever commentary on religion and artistry, he challenges traditional beliefs while showcasing his own artistic prowess. The publication of this self-portrait in "The Best of Beardsley" edited by R. A. Walker in 1948, solidifies its significance within British literature and graphic design history. It serves as a testament to Beardsley's enduring influence on art nouveau aesthetics. This artwork not only captures the essence of Beardsley's talent but also offers a glimpse into the cultural landscape of late 19th-century Britain. With its thought-provoking symbolism and meticulous attention to detail, "A Footnote" remains an iconic piece that continues to inspire artists today.

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