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The First of September, Morning, published 1796. Creator: William Ward
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The First of September, Morning, published 1796. Creator: William Ward
The First of September, Morning, published 1796
Heritage Images features heritage image collections
Media ID 36265963
© Heritage Art/Heritage Images
Color Mezzotint Equestrian George Morland Hunting Dog Hunting Dogs Interiors Le Matin Mezzotint Morland George Morning Preparation Preparations Preparing Rural Scene Stable Stable Hand Stables Ward William William Ward William Ward The Elder
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EDITORS COMMENTS
The First of September, Morning," a captivating mezzotint print published in 1796 by English artist William Ward, offers a glimpse into the rural life of 18th century England. The image, depicting a stable scene with hunters preparing their horses and dogs for the day's hunt, is a testament to the rich heritage of British art. The print, bathed in the soft, early morning light, captures the quiet anticipation of the stable hand as he grooms and saddles a horse. The equestrian figure, dressed in hunting attire, stands nearby, adjusting the bridle of his mount. The stable is filled with the rustic charm of rural life, with the warm hues of the mezzotint process bringing the scene to life. The focus of the print, however, is not just on the humans but also on the animals. A pair of hunting dogs, their coats glistening with the sheen of the mezzotint process, eagerly await their masters' commands. Their alert expressions and postures convey a sense of excitement and readiness for the day's hunt. The title "The First of September, Morning," suggests that this is the beginning of the hunting season, adding to the sense of tradition and ritual that permeates the scene. The print, with its depiction of a rural interior and the preparations for a day of hunting, is a beautiful example of the regionalism and rural scene painting that was popular in Britain during the 18th century. This stunning mezzotint print, created by William Ward, is a must-see for anyone interested in the history of art, rural life, or the British countryside. It is currently on display at the National Gallery of Art in Washington, D.C., where it continues to captivate audiences with its timeless beauty and charm.
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