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'First Come, First Served, after L Knaus, 1891. Creator: Unknown

'First Come, First Served, after L Knaus, 1891. Creator: Unknown


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'First Come, First Served, after L Knaus, 1891. Creator: Unknown

'First Come, First Served, after L Knaus, 1891. From "The Graphic. An Illustrated Weekly Newspaper", Volume 44. July to December, 1891

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Media ID 36240588

© The Print Collector/Heritage Images

Eating Feeding Geese Goose Hunger Hungry Waterfowl


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> Animals > Birds > Waterfowl > Geese > Related Images

> Animals > Birds > Waterfowl > Related Images

> Arts > Artists > K > Ludwig Knaus

> Europe > Germany > Paintings


First Come, First Served,

EDITORS COMMENTS
an enigmatic and humorous engraving from the late 19th century, depicts a chaotic scene of children and women in a rural setting, all vying for the opportunity to feed a group of geese. The print, titled "First Come, First Served, after L. Knaus," is believed to be an adaptation of a painting by the German artist Ludwig Knaus, although the exact origin remains unknown. The image is filled with a clamouring crowd of girls and women, each trying to reach the waterfowl with outstretched hands and empty bowls. The geese, seemingly unfazed by the commotion, continue to peck at the ground, oblivious to the frenzy around them. The scene is reminiscent of a rustic country fair or market, where the laws of first come, first served, rule supreme. The print, published in "The Graphic: An Illustrated Weekly Newspaper" in 1891, captures the essence of rural life in the 19th century. The contrast between the determined expressions of the women and the calm demeanor of the geese highlights the natural order of things, where survival and sustenance are the primary concerns. The print also serves as a reminder of the simple pleasures of country living, where the beauty of nature and the joys of community come together in a harmonious blend. Despite the unknown origin of the print, its timeless appeal continues to resonate with viewers, offering a glimpse into the past and a reminder of the enduring human desire for nourishment and companionship. The print remains a valuable addition to any collection of historical art or rural imagery.

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