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The Eve of St Agnes, 1848. Artist: William Holman Hunt
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The Eve of St Agnes, 1848. Artist: William Holman Hunt
The Eve of St Agnes ; or The Flight of Madeline and Porphyro during the Drunkeness attending the Revelry, 1848. A man and a woman prepare to leave a room where men lie drunk on the floor, and others can be seen through the arches on the left. Two dogs are seen at left. The subject is taken from Keats poem of the same title
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Media ID 15172002
© Guildhall Art Gallery (City of London) / Heritage-Images
Drunk Drunkenness Escape Holman Holman Hunt Hunt John Keats Keats Mythical Figure Pre Raphaelite Revelry William Holman William Holman Hunt Madeline
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The Eve of St Agnes, 1848
EDITORS COMMENTS
by William Holman Hunt is a captivating oil painting that brings to life the enchanting scene from John Keats' poem of the same title. In this mesmerizing artwork, we witness a moment of escape and liberation amidst revelry and drunkenness. A man and a woman stand at the threshold of a room filled with intoxicated men sprawled on the floor, while others can be glimpsed through arches on the left. The composition is rich in symbolism as two dogs accompany them, representing loyalty and protection. Hunt's meticulous attention to detail and vibrant use of color transport us into this mythical world where Christian themes intertwine with folklore. The Pre-Raphaelite artist masterfully captures both the physical beauty and emotional intensity of his subjects, particularly highlighting the delicate features of Madeline, our female protagonist. As we gaze upon this remarkable piece housed at Guildhall Library and Art Gallery, we are reminded not only of Hunt's artistic prowess but also Keats' timeless words that inspired it. "The Eve of St Agnes" serves as an allegory for hope amidst adversity, reminding us that even in moments tainted by debauchery or chaos, there exists an opportunity for transcendence. This print invites us to delve into an era where art seamlessly merged religion with mythology while exploring themes such as love, escapism, and spirituality. It stands as a testament to both Hunt's skillful brushwork and Keats' enduring poetry –
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