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The Drop Gate, Duncombe Park, 1923. Artist: John Sell Cotman

The Drop Gate, Duncombe Park, 1923. Artist: John Sell Cotman


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The Drop Gate, Duncombe Park, 1923. Artist: John Sell Cotman

The Drop Gate, Duncombe Park, 1923. From The Water-Colour Drawings of John Sell Cotman, edited by C.G. Holme. [The Studio Limited, London, 1923]

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Media ID 15342291

© The Print Collector / Heritage-Images

Cg Holme Connection Cotman Estate Gate Holme John Sell John Sell Cotman North Yorkshire Norwich School Romantic Era The Studio Duncombe Green Colour Helmsley


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> Europe > United Kingdom > England > London > Towns > Hither Green

> Europe > United Kingdom > England > North Yorkshire > Helmsley

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> Europe > United Kingdom > England > Rivers

> Europe > United Kingdom > England > Yorkshire > Helmsley

> Europe > United Kingdom > England > Yorkshire > Holme


The Drop Gate, Duncombe Park, 1923

EDITORS COMMENTS
is a captivating watercolor print by renowned artist John Sell Cotman. This picturesque artwork showcases the enchanting entrance to Duncombe Park, an exquisite estate nestled in the scenic North Yorkshire countryside of England. Cotman's attention to detail and mastery of color bring this romantic landscape to life. The drop gate itself takes center stage in the composition, its wooden structure painted in vibrant shades of green and yellow. It stands as a symbol of connection between nature and civilization, inviting viewers into the idyllic world beyond. The gate opens onto a winding river called River Rye, which gracefully meanders through the lush woodlands surrounding the estate. Cotman's artistic style reflects his affiliation with the Norwich School and embodies elements of Romanticism prevalent during that era. His skillful brushwork captures both the grandeur and tranquility of this breathtaking scene, transporting viewers back to a bygone time. This particular print was featured in "The Water-Colour Drawings of John Sell Cotman" edited by C. G. Holme and published by The Studio Limited in London in 1923. Its inclusion in this prestigious magazine highlights Cotman's significance within British art circles during the early 20th century. "The Drop Gate, Duncombe Park" serves as a testament to Cotman's talent for capturing natural beauty on canvas while evoking feelings of nostalgia and wonderment among those fortunate enough to behold it.

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