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Enthroned Four-armed Bodhisattva, Leaf from... Pancavimsatisahasrika Prajnaparamita

Enthroned Four-armed Bodhisattva, Leaf from... Pancavimsatisahasrika Prajnaparamita


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Enthroned Four-armed Bodhisattva, Leaf from... Pancavimsatisahasrika Prajnaparamita

Enthroned Four-armed Bodhisattva, Leaf from a dispersed Pancavimsatisahasrika Prajnaparamita Manuscript, ca. 1090. possibly Amoghapasa, a form of Avalokitesvara, seated with legs crossed (sukhasana), hands raised in dharmacakra mudra, attended by a female devotee

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Media ID 19844251

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11th Century Avalokiteshvara Avalokitesvara Bangladesh Bangladeshi Bengal Bodhisattva Bosatsu Cross Legged Devotee Eleventh Century Enthroned Guan Yin Guanyin Kannon Kuan Yin Legs Crossed Mudra Opaque Watercolor On Palm Leaf Padmapani Pala Throne Calligraphy Hand Gesture Hindoostan


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EDITORS COMMENTS
This print showcases the exquisite artwork of an "Enthroned Four-armed Bodhisattva" from a dispersed Pancavimsatisahasrika Prajnaparamita Manuscript, dating back to around 1090. Believed to possibly depict Amoghapasa, a form of Avalokitesvara, this divine figure is seated on an ornate throne with crossed legs (sukhasana). The bodhisattva's four arms are raised in the dharmacakra mudra, symbolizing the turning of the wheel of dharma. Attended by a devout female devotee, this enchanting scene emanates spiritual grace and serenity. The artist skillfully captures every intricate detail using opaque watercolor on palm leaf. The vibrant colors and meticulous brushwork bring life to this ancient masterpiece. The location of its origin is believed to be Bengal, now present-day Bangladesh. This region has a rich heritage steeped in Buddhism and Hinduism. The painting reflects the artistic influences prevalent during the Pala Empire in India during the 11th century. Displayed at The Metropolitan Museum of Art, this remarkable piece not only serves as a testament to human creativity but also provides insight into religious practices and beliefs during that era. Its historical significance lies not only in its artistic value but also in its ability to transport viewers back in time. As we gaze upon this image, we are reminded of the profound connection between art and spirituality transcending time and borders.

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