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Two Entertainers and a Maid, c. 1777. Creator: Kitao Shigemasa
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Two Entertainers and a Maid, c. 1777. Creator: Kitao Shigemasa
Two Entertainers and a Maid, c. 1777. Attributed to Kitao Shigemasa
Heritage Images features heritage image collections
Media ID 24377901
© Heritage Art/Heritage Images
Clog Clogs Entertainer Geisha Geishas Geta Hisagoro Kanetomo Kitabatake Karan Kosuisai Kimonos Kitabatake Kanetomo Kitao Shigemasa Kosuisai Kosuisai Karan Patten Pattens Platform Shoes Platforms Sandal Sandals Sasuke Servant Servants Shigemasa Kitao Shoe Shoes Block Printing Colour Woodblock Print Footwear Kimono Oban Tokugawa Period Traditional Dress Woodblock Printing
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EDITORS COMMENTS
The captivating woodblock print, "Two Entertainers and a Maid" by Kitao Shigemasa, transports viewers back to 18th century Japan during the Edo period. This exquisite artwork showcases the rich heritage of Japanese art and culture. In this scene, two geishas gracefully entertain their audience while a maid attends to their needs. The women are dressed in vibrant kimonos adorned with intricate patterns that reflect the fashion trends of the time. Their traditional costumes exude elegance and grace, emphasizing the meticulous attention to detail characteristic of ukiyo-e prints. Noteworthy are their unique footwear choices - clogs known as geta and pattens called pokkuri - which elevate them above ground level as they perform. These platform shoes not only add height but also symbolize status within society. Shigemasa's masterful use of color brings life to this composition, capturing every nuance from the vivid hues of clothing to delicate skin tones. The artist's skillful block printing technique is evident in each stroke, showcasing his expertise in capturing human form and expression. As we gaze upon this mesmerizing print at the Art Institute of Chicago, we are transported into a world where entertainment was an art form cherished by all. Through Shigemasa's work, we gain insight into the lives of these performers who brought joy and enchantment to audiences during Japan's Tokugawa period. This remarkable piece serves as a testament to Shigemasa's artistic prowess and stands as
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