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Engraving of a tree in the work Arbor Scientiae (Science Tree) copy printed in

Engraving of a tree in the work Arbor Scientiae (Science Tree) copy printed in


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Engraving of a tree in the work Arbor Scientiae (Science Tree) copy printed in

Engraving of a tree in the work Arbor Scientiae (Science Tree) copy printed in Barcelona in 1505 by Pere Posa, encyclopaedia written between 1295 and 1296 by the philosopher, theologian, novelist and poet Ramon Llull

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Media ID 15199394

© Mithra - Index / Heritage-Images

Arabic Barcelona Catalan Literature Catalonia Compendium Converting Crown Of Aragon Doctrine Encyclopedia Franciscan Friar Infidels Inscription Library Of The University Llull Lully Medieval Literature Metaphysics Monk Nest Novelist Pere Philosopher Philosophy Poses Preaching Ramon Raymond Spain Catalonia Barcelona Theologian Training University Library West Iberian Peninsula Wisdom Lulio Missions Phylactery Santiago Ortega


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EDITORS COMMENTS
This print showcases an engraving of a tree, taken from the renowned work Arbor Scientiae (Science Tree). Created in Barcelona in 1505 by Pere Posa, this copy is a testament to the enduring influence of Ramon Llull's encyclopaedia. Originally written between 1295 and 1296, Llull was not only a philosopher, theologian, novelist but also an accomplished poet. The intricate details of the engraving depict a mesmerizing allegory that combines elements of Christianity with Arabic influences. This fusion reflects the rich cultural tapestry found in Catalonia during the Middle Ages. The tree itself symbolizes wisdom and knowledge while serving as a metaphor for Llull's comprehensive compendium. As one delves deeper into this image, they can uncover hidden inscriptions within its branches that convey religious doctrine and metaphysical concepts. It is believed that this particular copy was housed in the library of the University of Barcelona, emphasizing its significance as both a literary masterpiece and educational resource. Through his writings and teachings, Llull aimed to convert infidels through philosophical discourse rather than forceful means. His works were highly regarded by Franciscan friars who saw them as essential training materials for their missions across Europe. Santiago Ortega's skillful capture allows us to appreciate not only the beauty of this engraved artwork but also its historical importance within Catalan literature. This print serves as a window into medieval times when philosophy intertwined with

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