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Elysium & Tartarus, or The State of Final Retribution, first published 1792; this state 1808. Creator: James Barry. Elysium & Tartarus, or The State of Final Retribution, first published 1792; this state 1808. Creator: James Barry

Elysium & Tartarus, or The State of Final Retribution, first published 1792; this state 1808. Creator: James Barry. Elysium & Tartarus, or The State of Final Retribution, first published 1792; this state 1808. Creator: James Barry


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Elysium & Tartarus, or The State of Final Retribution, first published 1792; this state 1808. Creator: James Barry. Elysium & Tartarus, or The State of Final Retribution, first published 1792; this state 1808. Creator: James Barry

Elysium & Tartarus, or The State of Final Retribution, first published 1792; this state 1808

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Media ID 36229837

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Angels Barry James Etching And Engraving Ireland Irish James Barry


FEATURES IN THESE COLLECTIONS

> Arts > Artists > B > James Barry

> Arts > Realistic drawings > Figure drawing > Fine art portraits

> Europe > United Kingdom > Wales > South Glamorgan > Barry

> Historic > Ancient civilizations > Ancient Greece > Greek mythology

> North America > United States of America > New York > New York > Sights > Metropolitan Museum of Art


EDITORS COMMENTS
Elysium & Tartarus, or The State of Final Retribution," a masterpiece by Irish artist James Barry, first emerged in 1792, with this specific version published in 1808. This work of art, now housed in the Metropolitan Museum of Art, presents a striking contrast between the realms of Elysium and Tartarus in ancient Greek mythology. Elysium, the paradise for heroes, is depicted as a serene and idyllic landscape, where angels gracefully float among the clouds, their ethereal forms bathed in soft light. The figures, dressed in flowing robes, engage in peaceful activities, symbolizing the rewards of virtuous living. In stark contrast, Tartarus, the underworld of punishment, is a chaotic and dark realm. Demons and tortured souls are scattered throughout, enduring eternal suffering as retribution for their sins. The figures in Tartarus are twisted and contorted, their expressions filled with pain and despair. Barry's intricate etching and engraving techniques bring this mythological scene to life, with meticulous attention to detail. The black and white contrast creates a dramatic effect, enhancing the stark difference between the two realms. The lettering at the bottom of the print, "Elysium & Tartarus, or The State of Final Retribution," serves as a poignant reminder of the consequences of one's actions in life. This sixth state of six, which was produced in 1808, is a testament to Barry's artistic skill and his deep understanding of Greek mythology. It continues to captivate viewers at the Metropolitan Museum of Art, offering a glimpse into the rich cultural heritage of ancient Greece and the enduring power of mythology.

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