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The Easter Hunt at Epping Forest, Plate First, 1800-1820. Creator: Unknown

The Easter Hunt at Epping Forest, Plate First, 1800-1820. Creator: Unknown


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The Easter Hunt at Epping Forest, Plate First, 1800-1820. Creator: Unknown

The Easter Hunt at Epping Forest, Plate First, 1800-1820

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Media ID 22177517

© Heritage Art/Heritage Images

Bunbury Henry William Easter Equestrian Gambado Geoffrey Geoffrey Gambado Georgian Hand Colored Etching Henry Bunbury Henry William Bunbury Hunter Hunters Parody Satirical


FEATURES IN THESE COLLECTIONS

> Animals > Farm > Horses > Related Images

> Animals > Mammals > Horse > Related Images

> Arts > Artists > B > Henry William Bunbury

> Arts > Landscape paintings > Forest and woodland scenes > Forest artwork

> Arts > Pop art > Satire > Satirical artwork

> Europe > United Kingdom > England > Essex > Epping

> North America > United States of America > New York > New York > Sights > Metropolitan Museum of Art


The Easter Hunt at Epping Forest, Plate First, 1800-1820 - A Satirical Delight of Georgian England

EDITORS COMMENTS
. This hand-colored etching from the 19th century takes us back to a time when the Easter festivities were celebrated with great pomp and humor in Britain. Created by an unknown artist, this artwork titled "The Easter Hunt at Epping Forest" offers a delightful glimpse into the world of satire and caricature during the Georgian era. In this whimsical scene set amidst the picturesque Epping Forest in Essex, England, we witness a lively gathering of equestrians dressed in elaborate costumes. The riders are depicted as exaggerated characters engaging in an eccentric hunt for hidden treasures. With its clever parody on religion and hunting traditions, this artwork reflects both social commentary and comedic entertainment that was popular during that period. The detailed etching showcases the artist's skillful use of color and composition to bring out each character's unique personality. From Geoffrey Gambado's comical antics to Henry William Bunbury's witty portrayal of hunters on horseback, every element adds depth to this satirical masterpiece. Preserved within The Metropolitan Museum of Art’s collection today, this print serves as a testament to British artistic heritage. It invites viewers to immerse themselves in a bygone era where art seamlessly blended with humor and criticism. As we admire this intriguing piece from history, it reminds us how art can transcend time while offering glimpses into societies long past.

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