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Dutch Ships Entering the Port of the Island of Rhodes (Rokosuto minato Oranda fune)

Dutch Ships Entering the Port of the Island of Rhodes (Rokosuto minato Oranda fune)


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Dutch Ships Entering the Port of the Island of Rhodes (Rokosuto minato Oranda fune)

Dutch Ships Entering the Port of the Island of Rhodes (Rokosuto minato Oranda fune nyushin no zu), c. 1818/30

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Media ID 24369615

© Heritage Art/Heritage Images

Colossus Colossus Of Rhodes Enormous Flaming Torch Galleon Galleons Huge Landscapearts Of Asia Large Port Rhodes Sailing Ships Torch Colour Woodblock Print Low Countries Oban Sailing Ship Tokugawa Period


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> Arts > Sculpture

> Asia > Japan > Related Images

> Europe > Greece > Sculptures

> Europe > Netherlands > Sculptures

> Europe > United Kingdom > Scotland > Strathclyde > Oban


EDITORS COMMENTS
This vibrant and captivating woodblock print by Utagawa Kunitora transports viewers to the bustling port of the Island of Rhodes during the 19th century. Titled "Dutch Ships Entering the Port of the Island of Rhodes" this artwork captures a significant moment in history when Dutch galleons arrived at this picturesque location. The print showcases an enormous colossus statue, reminiscent of the famous Colossus of Rhodes, standing tall as a symbol of grandeur and power. The flaming torch held by a man adds an element of drama and mystique to the scene, illuminating the entrance for these majestic sailing ships. Kunitora's attention to detail is evident in every aspect, from the meticulously crafted ships with their billowing sails to the intricate landscape that surrounds them. The artist skillfully uses color and composition to create depth and perspective, making it feel as though one could step into this historical moment. As we gaze upon this artwork, we are transported back in time, imagining ourselves amidst a flurry of activity at this bustling harbor. It serves as a reminder not only of our rich maritime heritage but also highlights cultural exchange between Japan and Europe during that era. Displayed proudly within Art Institute Chicago's collection, this woodblock print stands as a testament to Kunitora's mastery in capturing both historical events and natural beauty through his ukiyo-e style.

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