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The Crippled and Sick Cured at the Tomb of Saint Nicholas, 1425. Creator: Gentile da Fabriano

The Crippled and Sick Cured at the Tomb of Saint Nicholas, 1425. Creator: Gentile da Fabriano


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The Crippled and Sick Cured at the Tomb of Saint Nicholas, 1425. Creator: Gentile da Fabriano

The Crippled and Sick Cured at the Tomb of Saint Nicholas, 1425

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Media ID 20769389

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Alter Crippled Crutch Crutches Crypt Curing Disabilities Disability Disabled Healing Magic Mausoleum Miracle Miraculous Old Master Sick Sickness Tempera On Panel Gentile Da Fabriano Tempera


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> Europe > Italy > Marche > Fabriano

> Europe > Italy > Paintings


EDITORS COMMENTS
Caption: "The Miraculous Healing Power of Saint Nicholas: A Glimpse into 15th Century Devotion". This vibrant and captivating painting, created by Gentile da Fabriano in 1425, depicts a scene of hope and faith at the tomb of Saint Nicholas. The artwork showcases the powerful belief in miracles during the fifteenth century. In this enchanting piece, we witness a diverse group of people seeking solace and healing within the crypt. Men and women with various disabilities are depicted using crutches as they make their way towards the sacred mausoleum. Their expressions reveal both desperation and anticipation for a miraculous cure. Gentile da Fabriano skillfully captures the atmosphere inside this Italian church, where colors come alive to enhance our understanding of this spiritual event. The artist's attention to detail is evident in every brushstroke, from the intricate architectural elements surrounding the tomb to each individual's unique facial features. "The Crippled and Sick Cured at the Tomb of Saint Nicholas" not only serves as an artistic masterpiece but also offers insight into religious practices during that era. It reminds us of humanity's unwavering desire for divine intervention when faced with physical ailments or hardships. Displayed at the National Gallery of Art in Washington D. C. , this old master painting continues to inspire awe among visitors today. It stands as a testament to both Gentile da Fabriano's exceptional talent and society's enduring belief in miracles throughout history.

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