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Costume design for the play The Masquerade by M. Lermontov, 1917. Creator: Golovin, Alexander Yakovlevich (1863-1930)

Costume design for the play The Masquerade by M. Lermontov, 1917. Creator: Golovin, Alexander Yakovlevich (1863-1930)


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Costume design for the play The Masquerade by M. Lermontov, 1917. Creator: Golovin, Alexander Yakovlevich (1863-1930)

Costume design for the play The Masquerade by M. Lermontov, 1917. Found in the collection of the State Central A. Bakhrushin Theatre Museum, Moscow

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Media ID 36342950

© Fine Art Images/Heritage Images

Alexander Yakovlevich 1863 1930 Bakhrushin Theatre Museum Fancy Dress Ball Golovin Ink And Pen On Paper Lermontov Masked Ball Masquerade Meyerhold Scenic Design Scenic Painting Set Design Stage Design State Central A Theatrical Scenic Painting Gouache Vsevolod Meyerhold


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> Arts > Still life artwork > Watercolor paintings > Fine art

> Europe > Russia > Ballet

> Europe > Russia > Moscow

> Europe > Russia > Opera

> Europe > Russia > Paintings

> Europe > United Kingdom > England > London > Art > Related Images


EDITORS COMMENTS
This costume design is a masterpiece by the renowned Russian artist, Alexander Yakovlevich Golovin, created for the iconic play "The Masquerade" by Mikhail Lermontov in 1917. The design is currently housed in the esteemed State Central A. Bakhrushin Theatre Museum in Moscow. Golovin's intricate and imaginative design brings to life the essence of a fancy dress ball, a central theme in Lermontov's play. The use of gouache, ink, and pen on paper showcases Golovin's exceptional skill in the graphic arts. The watercolor elements add a touch of elegance and finesse to the design. The Masquerade was a significant production in Russian theatre history, directed by Vsevolod Meyerhold, who was known for his innovative and experimental approach to staging. This design reflects the theatricality and drama of the masquerade ball scene, with its ornate masks, rich fabrics, and intricate details. The design captures the essence of the masquerade, a time when people could shed their everyday identities and embrace the freedom and anonymity of a disguise. The masks in the design are a testament to the play's themes of deception, identity, and the human desire for self-expression. Golovin's design for The Masquerade is a stunning example of the artistic collaboration between theatre, fine art, and scenic design. It is a reminder of the power of the arts to transport us to another world and ignite our imagination.

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