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Comedy of Errors Act 4 Scene 4. Antipholis of Ephesus, Dromio, Courtezan & c, 1798. Artist: James Stow
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Comedy of Errors Act 4 Scene 4. Antipholis of Ephesus, Dromio, Courtezan & c, 1798. Artist: James Stow
Comedy of Errors Act 4 Scene 4. Antipholis of Ephesus, Dromio, Courtezan & c, 1798. After Francis Wheatley (1747-1801). From Shakespeare Gallery, Pall Mall, 1795, by John Boydell. [J. & J. Boydell, London, 1795]
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Media ID 14971661
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Boydell Courtesan Ephesus Francis Francis Wheatly Group Of People Izmir James Stow John Boydell Prisoner Rope Shakespeare Stow Turkey William Shakespeare Dromio The Comedy Of Errors Wheatly
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EDITORS COMMENTS
This print, titled "Comedy of Errors Act 4 Scene 4", transports us back to the vibrant streets of Ephesus in the late 18th century. Created by artist James Stow in 1798, this scene captures a pivotal moment from Shakespeare's renowned play. In the bustling thoroughfare, we see Antipholis of Ephesus engaged in an animated conversation with Dromio while a group of people curiously observe nearby. The atmosphere is charged with tension as Antipholis finds himself entangled in a web of mistaken identities and comedic misunderstandings. Amidst the chaos, our attention is drawn to a striking courtesan elegantly dressed and exuding confidence. Her presence adds an intriguing layer to this scene, hinting at hidden desires and clandestine affairs that lie beneath the surface. Stow's meticulous engraving skillfully brings out every intricate detail, capturing both the essence of each character and the spirit of Shakespeare's work. The monochrome palette lends a timeless quality to this image, evoking nostalgia for an era long past. As we gaze upon this print from John Boydell's esteemed Shakespeare Gallery on Pall Mall Street, we are reminded once again why William Shakespeare's plays continue to captivate audiences across centuries. This particular rendition serves as a testament to both Stow's artistic talent and Francis Wheatley's original composition that inspired it. Whether one is familiar with "The Comedy of Errors" or not, this print offers a
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