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City of Washington in America, 1st month, 1862. Creator: Utagawa Yoshitora
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City of Washington in America, 1st month, 1862. Creator: Utagawa Yoshitora
City of Washington in America, 1st month, 1862
Heritage Images features heritage image collections
Media ID 20375233
© Heritage Art/Heritage Images
Crinoline Crinolines Europeans Hoop Skirt Hooped Horse And Carriage Ink And Colour On Paper Petticoat Triptych Triptych Of Polychrome Woodblock Prints Utagawa Utagawa Yoshitora Washington Washington Dc West Western Westerner Westerners Yokohama Yokohama E Yoshitora Yoshitora Utagawa Horse Drawn Horse Drawn Vehicle Horsedrawn
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EDITORS COMMENTS
This vibrant triptych print by Utagawa Yoshitora, titled "City of Washington in America, 1st month, 1862" offers a captivating glimpse into the bustling streets of Washington D. C. during the 19th century. The artist's mastery of ukiyo-e woodblock printing brings to life a vivid tableau that showcases the fusion of Japanese and Western artistic styles. In this scene, we are transported back in time to witness an intriguing blend of cultures as European and American influences merge with traditional Japanese aesthetics. Crinolines and hoop skirts adorn fashionable women who elegantly traverse the city streets alongside men dressed in Victorian attire. Horse-drawn carriages gracefully navigate through the busy roads, adding a touch of nostalgia to this urban landscape. Yoshitora's attention to detail is evident in every brushstroke; from intricate architectural elements to meticulously crafted clothing patterns, each aspect contributes to the overall authenticity and charm of this artwork. The use of ink and color on paper further enhances its visual impact. Displayed at The Metropolitan Museum of Art (The Met), this piece serves as a testament to both cultural exchange and historical documentation. It invites viewers to explore not only the physicality but also the spirit of Washington D. C. , capturing a moment frozen in time when East met West amidst an era marked by rapid societal changes. As we admire Yoshitora's skillful craftsmanship, we are reminded that art has no boundaries – it transcends continents and centuries while preserving our shared heritage
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