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The circumcision of Christ, ca 1522. Creator: Mazzolino, Ludovico (1480-1528)
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The circumcision of Christ, ca 1522. Creator: Mazzolino, Ludovico (1480-1528)
The circumcision of Christ, ca 1522. Found in the Collection of the Fondazione Cini, Venezia
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Media ID 36217894
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Abraham Book Of Genesis Brit Milah Christ Child Circumcision Circumcision Of Christ Circumcision Of Jesus First Patriarch Folklore Fondazione Cini Hebrew Bible Jewish Life Jewish People Jews Judaism Patriarch Patriarchs Prophet School Of Ferrara Venezia
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EDITORS COMMENTS
This exquisite painting, titled "The Circumcision of Christ," was created by the renowned Italian artist Ludovico Mazzolino around 1522. It is currently housed in the esteemed Fondazione Cini collection in Venezia, Italy. The scene depicted in this masterpiece is taken from both the Old and New Testaments of the Bible. In the foreground, we see the infant Jesus lying on a bed, surrounded by various figures. The most prominent figure is Saint Joseph, holding a small knife, ready to perform the circumcision. This ritual, known as a Brit Milah in Hebrew, was a covenant between God and Abraham and his descendants, as recorded in the Book of Genesis. The circumcision of Jesus, as described in the New Testament, symbolizes his obedience to the Law of Moses and his connection to the Jewish people and their faith. The painting also includes other figures, including the Saints Anne and John the Baptist, as well as various angels and other onlookers. The figures are depicted in a traditional Renaissance style, with intricate details and a sense of depth and realism. The circumcision of Christ holds great significance in both Jewish and Christian traditions. For Jews, it is a reminder of their covenant with God and the importance of following God's commandments. For Christians, it is a symbol of Jesus' obedience and his connection to the Jewish people and their faith. This painting is a testament to Mazzolino's skill as an artist and his ability to capture the spiritual and symbolic significance of this important biblical scene. The use of oil on wood adds to the richness and depth of the painting, making it a true masterpiece of the Renaissance period.
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