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Christine Keeler arriving at the Old Bailey, London, 1963

Christine Keeler arriving at the Old Bailey, London, 1963


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Christine Keeler arriving at the Old Bailey, London, 1963

Christine Keeler arriving at the Old Bailey, London, 1963. Christine Keelers affair with John Profumo, the Secretary of State for War caused a scandal that rocked the Conservative government of Harold MacMillan. Unknown to Profumo, Keeler was also having an affair with Yevgeny Ivanov, a naval attache with the Soviet Embassy. (Colorised black and white print)

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Media ID 14927684

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Camera Celebrity Christine Hairband Media Model Photographer Scandal Travelling John Profumo Keeler Motor Car Profumo Profumo Affair


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Christine Keeler Arriving at the Old Bailey, London, 1963 - A Scandal that Shook a Nation

EDITORS COMMENTS
. In this colorized print from 1963, we witness Christine Keeler's arrival at the historic Old Bailey in London. This photograph captures a pivotal moment in British history as it unveils the scandalous affair that would rock the Conservative government of Harold MacMillan. At the center of this political storm was Christine Keeler herself, an enchanting and enigmatic figure. With her impeccable fashion sense and elegant hairstyle adorned with a hairband, she exudes confidence and allure as she steps out of her car to face the media frenzy awaiting her. Little did John Profumo, Secretary of State for War at the time, know that his involvement with Keeler would lead to his downfall. Unbeknownst to him, she was also engaged in an illicit relationship with Yevgeny Ivanov, a naval attache from the Soviet Embassy. The revelation of these affairs sent shockwaves through society and threatened national security during tense Cold War times. This photograph not only serves as evidence of Keeler's presence on that fateful day but also symbolizes how one woman's actions can have far-reaching consequences. It encapsulates both the power dynamics within politics and society's fascination with celebrity scandals. As we gaze upon this mesmerizing portrait frozen in time, we are reminded of how one single event can shape an entire era. It stands as a testament to Christine

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