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Christ Driving the Traders from the Temple, after 1569. Artist: Bruegel (Brueghel), Pieter, the Elder (ca 1525-1569)
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Christ Driving the Traders from the Temple, after 1569. Artist: Bruegel (Brueghel), Pieter, the Elder (ca 1525-1569)
Christ Driving the Traders from the Temple, after 1569. Found in the collection of the Statens Museum for Kunst, Copenhagen
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Media ID 15012572
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Abundance Affluence Barock Bruegel Brueghel Cornucopia Early Netherlandish Art Faith Good And Evil Greed Jerusalem Luxuriancy Money Moneylender Moneylenders Opulence Pieter Profiteer Prosperity Purification Of The Temple Richness Sinner Tempera And Oil On Wood The Elder Ca 1525 1569 The Lord The Netherlands Traders Wealth Wealthiness
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Christ Driving the Traders from the Temple
EDITORS COMMENTS
is a powerful and thought-provoking painting by Pieter Bruegel the Elder. Created in 1569, this masterpiece captures a pivotal moment in biblical history when Jesus Christ cleansed the temple of Jerusalem from greed and corruption. In this scene, we witness Christ's righteous anger as he confronts moneylenders and traders who have turned God's house into a den of materialism. With his commanding presence, Jesus forcefully drives out these individuals, symbolizing his rejection of worldly wealth and reaffirming the importance of faith over monetary gain. Bruegel's meticulous attention to detail brings this narrative to life. The bustling marketplace depicted in vibrant colors showcases opulence and abundance contrasted with religious solemnity. Through skillful use of tempera and oil on wood, every brushstroke conveys both physical richness and spiritual emptiness. This painting serves as a timeless reminder that true prosperity lies not in material possessions but in one's relationship with God. It challenges us to examine our own lives for signs of greed or exploitation while urging us to seek purity within ourselves. Housed at the Statens Museum for Kunst in Copenhagen, "Christ Driving the Traders from the Temple" continues to captivate viewers with its profound message about morality, faith, and social justice. Its enduring relevance makes it an invaluable piece within early Netherlandish art history – reminding us that even amidst affluence, righteousness should prevail over sinfulness.
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