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Chateau, Cote Saint Andre (recto) Empty Cart and Shed with Other Sketches (verso), 1882. Creator: Johan Barthold Jongkind

Chateau, Cote Saint Andre (recto) Empty Cart and Shed with Other Sketches (verso), 1882. Creator: Johan Barthold Jongkind


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Chateau, Cote Saint Andre (recto) Empty Cart and Shed with Other Sketches (verso), 1882. Creator: Johan Barthold Jongkind

Chateau, Cote Saint Andre (recto) Empty Cart and Shed with Other Sketches (verso), 1882

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Media ID 36199808

© Heritage Art/Heritage Images

Art Movement Barbizon Barbizon School Chateau Crayon Hillside Johan Barthold Jongkind Johan Jongkind Johann B Jongkind Johann Barthold Jongkind Jongkind Johan Barthold Jongkind Johann Barthold


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> Arts > Artists > J > Johan-Barthold Jongkind

> Arts > Realistic drawings > Landscape drawings > Fine art

> Arts > Watercolor paintings > Watercolor landscapes > Landscape art

> Europe > France > Canton > Alpes

> Europe > France > Canton > Isere

> Europe > France > Canton > Rhone

> Europe > Netherlands > Posters

> Europe > Netherlands > Related Images


Chateau, Cote Saint Andre (recto) Empty Cart and Shed with Other Sketches (verso),

EDITORS COMMENTS
a captivating artwork created by the Dutch painter Johan Barthold Jongkind in 1882, is a testament to the beauty and tranquility of rural France. The recto side of the print showcases a breathtaking landscape of Chateau Cote Saint Andre in the Isere Auvergne Rhone Alpes region. The country house, nestled on a hillside amidst rolling green hills, is bathed in the soft, green hues of the countryside. The watercolour with black conte crayon on cream wove paper captures the essence of the Barbizon School, an artistic movement known for its focus on naturalistic and impressionistic depictions of the French countryside. The verso side of the print reveals Jongkind's thought process and creative exploration. A series of sketches and notes in handwriting can be seen, including an empty cart and shed. These sketches offer a glimpse into the artist's mind, showcasing his meticulous attention to detail and dedication to capturing the essence of the scene. The artwork, now part of the permanent collection at the Art Institute of Chicago, is a reminder of the rich artistic heritage of the 19th century. The low countries influence is evident in Jongkind's use of color and concept, reflecting the artistic traditions of his Dutch background. The print invites viewers to appreciate the simple pleasures of rural life and the beauty of the natural world, making it a cherished piece of art history.

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