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The Charming Brute, (A satire on Handel), 1754
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The Charming Brute, (A satire on Handel), 1754
The Charming Brute, (A satire on Handel), 1754. The German composer Handel, here depicted as a pig, had a huge appetite. Here he is at his organ, sitting on a barrel of ale, surrounded by poultry, bottles, fish and oysters. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston [pseudonym of Emily Morse Symonds], (London, 1905)
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Media ID 14917047
© The Print Collector / Heritage-Images
Alcohol Barrel Barrels Beer Charming Composer Emily Morse Emily Morse Symonds Georg Friedrich Handel George Frederick Handel George Frideric George Frideric Handel George Paston Glutton Gluttony Greed Greedy Handel Mirror Oboe Organ Paston Poultry Symonds Vain Vanity Brute
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The Charming Brute, (A satire on Handel), 1754
EDITORS COMMENTS
is a captivating print that offers a humorous and satirical portrayal of the renowned German composer George Frideric Handel. In this intriguing image, Handel is depicted as a pig, emphasizing his insatiable appetite for food and drink. Seated at his organ atop a barrel of ale, surrounded by an assortment of poultry, bottles, fish, and oysters, Handel's gluttony becomes evident. The artist behind this caricature skillfully captures the essence of Handel's larger-than-life personality while playfully mocking his voracious nature. The inclusion of various elements such as the mirror reflecting vanity and the oboe representing his musical prowess adds depth to the composition. This black-and-white illustration from "Social Caricature in the Eighteenth Century" transports us back to 18th-century Britain when satire was used as a powerful tool to comment on societal norms and prominent figures. It showcases not only the artistic talent of George Paston but also provides insight into how public figures were perceived during that era. As we delve into this thought-provoking image filled with symbolism and wit, it serves as a reminder that even great composers like Handel were not immune to being subjects of playful ridicule.
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