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To the cafe says Absinthe, c1909. Creator: Jean Beraud

To the cafe says Absinthe, c1909. Creator: Jean Beraud


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To the cafe says Absinthe, c1909. Creator: Jean Beraud

To the cafe says Absinthe, c1909

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Media ID 36253465

© Heritage Art/Heritage Images

Absinth Absinthe Addiction Alcohol Bench Benches Beraud Jean Cafe Canvasmaterial Carnavalet Museum Ignoring Jean Beraud Liquor Looking Glass Mirror Paris Ile De France France Parisian Seating Side By Side Tables


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> Arts > Art Movements > Impressionism

> Arts > Artists > B > Jean Beraud

> Arts > Contemporary art > Portraits > Impressionism

> Arts > Impressionist paintings > Impressionism paintings > Impressionist art

> Arts > Impressionist paintings > Impressionism paintings

> Arts > Impressionist paintings > Impressionist art > Impressionist paintings

> Arts > Impressionist paintings > Impressionist art

> Arts > Impressionist paintings > Portraits of women by Impressionists > Impressionist paintings

> Arts > Impressionist paintings > Portraits of women by Impressionists

> Arts > Impressionist paintings


EDITORS COMMENTS
To the Cafe Says Absinthe" is a captivating oil on canvas painting by Jean Beraud, created in the early 1900s. This masterpiece, housed in the Musee Carnavalet in Paris, France, transports us to a bygone era of Parisian life. Two individuals, a man and a woman, are seated side by side on a bench in front of a cafe. The man, dressed in a suit and hat, ignores the world around him as he focuses intently on the woman. She, in turn, gazes into the depths of her glass, her expression a mixture of contemplation and slight melancholy. The title of the painting refers to the absinthe drink that the woman holds in her hand. Absinthe, a potent and controversial liquor, was popular in France during the late 19th and early 20th centuries. The green fairy, as it was often called, was believed to inspire creativity and was a favorite among artists and writers. However, it was also known for its addictive properties and was eventually banned in many countries due to its perceived negative effects. The painting is an excellent example of Impressionist art, with its vibrant colors and attention to detail. The red tablecloth, the checkered pattern of the bench, and the intricate details of the furniture all come to life on the canvas. The use of a looking glass in the background adds a metaphorical layer to the painting, reflecting the inner workings of the characters' minds. The painting invites us to ponder the concept of addiction and the effects it can have on individuals and relationships. The woman's fixation on her drink and the man's obliviousness to the world around him serve as a reminder of the power of substance over mind and body. This painting is a must-see for anyone interested in the history of art, Parisian culture, or the human condition.

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