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Brunet. Georges. 25 ans, ne a Paris. Menuisier. Anarchiste. 4 / 2 / 94. 1894
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Brunet. Georges. 25 ans, ne a Paris. Menuisier. Anarchiste. 4 / 2 / 94. 1894
Brunet. Georges. 25 ans, ne a Paris. Menuisier. Anarchiste. 4/2/94. 1894
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Media ID 20138233
© Heritage Art/Heritage Images
Alphonse Alphonse Bertillon Anarchism Anarchist Anthropology Anthropometry Arrest Arrested Bertillon Bertillon Alphonse Bertillonage Carpenter Criminal Identification Mug Shot Mugshot Physical Anthropology Albumen Print Albumen Silver Print
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EDITORS COMMENTS
This print captures the essence of Georges Brunet, a 25-year-old carpenter from Paris who was an anarchist. Taken in 1894 by Alphonse Bertillon, a renowned anthropologist and pioneer of forensic science, this albumen silver print showcases the intersection between art and science during the 19th century. Intriguingly, this photograph serves as more than just a portrait; it is also an identification tool used for criminal records. Known as a mugshot or arrest photograph, it reveals how Bertillon employed his innovative method called "bertillonage" to classify individuals based on their physical features. This practice revolutionized law enforcement at that time. Georges Brunet's defiant gaze reflects his political beliefs and rebellious spirit. As an anarchist in France during this era, he challenged societal norms and advocated for radical change. His occupation as a carpenter further highlights his working-class background and underscores the diversity of people involved in political movements. Preserved within The Metropolitan Museum of Art's collection, this image not only represents one man but also symbolizes the broader historical context surrounding politics, crime, and social unrest in late 19th-century France. Through its fusion of artistry and scientific documentation, this photograph offers us a glimpse into both personal identity and collective history—a testament to Alphonse Bertillon's enduring legacy as well as Georges Brunet's individual story within the annals of anarchism.
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