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Book cover with blossom and ceramic dragon, 1878. Creator: Charles Meunier
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Book cover with blossom and ceramic dragon, 1878. Creator: Charles Meunier
Book cover with blossom and ceramic dragon, 1878. Front cover of "A Catalogue of Blue and White Nankin Porcelain Forming the Collection of Sir Henry Thompson". British surgeon and polymath Thompson collaborated on the illustrations with James McNeill Whistler, one of the most prominent artists of the Aesthetic Movement. For the binding, Charles Meunier incorporated porcelain plaques into his design of prunus blossoms and featured Whistler's famous abstract butterfly signature
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Book Cover Dragon J Mcneill Whistler Ja Mcneill Whistler James A Mcneill Whistler James Abbot Mcneill Whistler James Abbott Mcneill Whistler James Mcneil Whistler James Mcneill Whistler Mythical Beasts Mythical Creatures Mythological Creature Porcelain Walters Art Museum Whistler J Mcneill Whistler James A Mcneill Whistler James Abbott Mcneill Whistler James Mcneill Graphic Design Mythical Beast Mythical Creature Sir Henry Thompson
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EDITORS COMMENTS
This book cover, created by the renowned Belgian artist Charles Meunier in 1878, graces the front of "A Catalogue of Blue and White Nankin Porcelain Forming the Collection of Sir Henry Thompson." Sir Henry Thompson, a British surgeon and polymath, collaborated with the prominent American artist James McNeill Whistler on the illustrations for this catalogue. This unique collaboration showcases the fusion of art, literature, and ceramics that defined the Aesthetic Movement of the late 19th century. Meunier's design features a stunning arrangement of prunus blossoms, a nod to the exquisite porcelain collection contained within. The ceramic dragon, a mythical beast from Chinese mythology, adds an element of whimsy and intrigue. This dragon is not just an ornamental addition, but a testament to the cross-cultural exchange of ideas that characterized the Aesthetic Movement. The dragon is set against a backdrop of Whistler's famous abstract butterfly signature, further emphasizing the collaboration between these two artistic giants. The binding of the book is a work of art in itself, with calfskin goatskin porcelain, silver, gold, and patterned silk adorning its cover. This exquisite book cover is a testament to the rich heritage of art, literature, and ceramics from the 19th century. The delicate floral design, mythical dragon, and intricate binding all come together to create a visually stunning and historically significant piece. The collaboration between Sir Henry Thompson and James McNeill Whistler, facilitated by Charles Meunier's masterful design, remains a fascinating example of artistic innovation and cross-disciplinary collaboration.
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