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Benoit. Antoine. 29 ans, ne a Paris Xle. Journalier. Anarchiste, vagabondage

Benoit. Antoine. 29 ans, ne a Paris Xle. Journalier. Anarchiste, vagabondage


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Benoit. Antoine. 29 ans, ne a Paris Xle. Journalier. Anarchiste, vagabondage

Benoit. Antoine. 29 ans, ne a Paris Xle. Journalier. Anarchiste, vagabondage. 4/3/94. 1894

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Media ID 20138768

© Heritage Art/Heritage Images

Alphonse Alphonse Bertillon Anarchism Anarchist Anthropology Anthropometry Arrest Arrested Bertillon Bertillon Alphonse Bertillonage Criminal Identification Mug Shot Mugshot Physical Anthropology Vagrancy Vagrant Albumen Silver Print


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> Arts > Contemporary art > Photography > Portraits

> Arts > Contemporary art > Portraits > Portrait photography

> Arts > Portraits > Black and white portraits > Fine art portraits

> Arts > Portraits > Black and white portraits

> Arts > Street art graffiti > Portraits > Portrait photography

> Europe > France > Paris > Politics

> Europe > France > Paris > Related Images

> North America > United States of America > New York > New York > Sights > Metropolitan Museum of Art

> Popular Themes > Politics


EDITORS COMMENTS
This 19th-century albumen print, titled "Benoit. Antoine. 29 ans, ne a Paris Xle. Journalier. Anarchiste, vagabondage" offers a glimpse into the intriguing world of Alphonse Bertillon's anthropometric photography. The black and white portrait showcases Benoit Antoine, a 29-year-old male born in Paris' Xle district. In this mug shot-style image, we witness the convergence of art and science as Bertillon employs his groundbreaking method to document individuals for identification purposes within the criminal justice system. As an anarchist and vagrant himself, Benoit Antoine becomes both subject and symbol in this powerful visual narrative. The photograph not only captures Antoine's physical features but also hints at his political leanings through its association with anarchism—a concept that challenged societal norms during that era. This historical artifact serves as a testament to France's rich heritage and the country's complex relationship with law enforcement. Preserved by The Metropolitan Museum of Art, this remarkable piece exemplifies Bertillon's pioneering work in physical anthropology and criminal identification techniques. Through meticulous measurement and classification systems known as bertillonage, he sought to bring order to chaos while shedding light on the intricate complexities of human identity. As we delve into this thought-provoking image by Alphonse Bertillon, we are invited to reflect upon notions of individuality, crime, politics, and social structures prevalent during the late 19th century—an era marked by rapid change and

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