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Banquet at a Foreign Merchant House in Yokohama (Yokohama ijin shoka shuen no zu), 1861
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Banquet at a Foreign Merchant House in Yokohama (Yokohama ijin shoka shuen no zu), 1861
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Media ID 24369863
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Bottle Bottles Cutlery Dining Table Dinner Table East Meets West Europeans Foreigner Foreigners Fork Glass Works Glassware Glassworks Gountei Sadahide Gyokuran Hashimoto Gyokuransai Sadahide Hashimoto Gyokuran Hashimoto Sadahide Imperialism Kenjiro Utagawa Knife Knives Sadahide Gountei Sadahide Gyokuransai Sadahide Hashimoto Sadahide Utagawa Servant Servants Spoon Tables Turban Turbans Utagawa Kenjiro Utagawa Sadahide West Western Westerner Westerners Wine Glass Wineglass Yokohama Yokohama E Yokohama Kanto Japan Colour Woodblock Print Hand Gesture Head Dress Headgear Hindoostan Metaphor Oban Tokugawa Period
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EDITORS COMMENTS
This 19th-century woodblock print, titled "Banquet at a Foreign Merchant House in Yokohama" offers a glimpse into the fascinating cultural exchange between East and West during Japan's Edo period. Created by Sadahide Utagawa, this artwork beautifully captures the meeting of different worlds. The scene depicts an opulent dining table set in a foreign merchant house, where European guests are engaged in lively conversation with their Japanese hosts. The vibrant colors and intricate details bring to life the fusion of cultures present at this banquet. The artist skillfully portrays both Europeans and Japanese individuals, showcasing their distinct clothing styles and headgear. Through this artwork, Utagawa explores themes of colonialism, imperialism, and the blending of traditions. It serves as a metaphor for the historical context of that time when Japan was opening up to foreign influences after centuries of isolation. The print also highlights the significance of trade relations between countries such as India (Hindoostan) and Europe within Yokohama's bustling port city. Glassware from European glassworks adorns the table alongside cutlery from various continents, symbolizing global connections forged through commerce. Displayed at the Art Institute Chicago's gallery dedicated to Asian arts, this piece is part of an artistic school that celebrates heritage art forms from around Asia. It invites viewers to contemplate how East meets West in terms of culture, aesthetics, and societal norms while appreciating Utagawa's masterful craftsmanship.
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