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Aumarechal. Auguste. 44 ans, ne a Chateaumeillant (Cher)

Aumarechal. Auguste. 44 ans, ne a Chateaumeillant (Cher)


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Aumarechal. Auguste. 44 ans, ne a Chateaumeillant (Cher)

Aumarechal. Auguste. 44 ans, ne a Chateaumeillant (Cher). ebeniste. Association de malfaiteurs. 8/3/94. 1894

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Media ID 20137172

© Heritage Art/Heritage Images

Alphonse Alphonse Bertillon Anthropology Anthropometry Bertillon Bertillon Alphonse Bertillonage Cabinet Maker Cabinetmaker Criminal Identification Mug Shot Mugshot Physical Anthropology Albumen Print Albumen Silver Print


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> Arts > Contemporary art > Photography > Portraits

> Arts > Portraits > Black and white portraits > Fine art portraits

> Arts > Portraits > Black and white portraits

> Arts > Portraits

> Europe > France > Canton > Cher

> North America > United States of America > New York > New York > Sights > Metropolitan Museum of Art


Aumarechal. Auguste. 44 ans, ne a Chateaumeillant (Cher) - A Glimpse into the Criminal Portrait of 19th Century France

EDITORS COMMENTS
. This print captures the intriguing persona of Aumarechal Auguste, a 44-year-old cabinetmaker from Chateaumeillant (Cher), France. Taken in 1894 by Alphonse Bertillon, renowned for his pioneering work in anthropometry and criminal identification, this albumen silver print offers a fascinating glimpse into the world of crime and law enforcement during the late 19th century. Aumarechal's mugshot reveals a man with an enigmatic expression, hinting at his involvement in an association of malfaiteurs or criminal organization. The meticulous attention to detail showcased through Bertillonage - Bertillon's system of physical measurements - highlights both the scientific approach to identifying criminals and its significance within early forensic anthropology. As we delve into this heritage art piece displayed at The Metropolitan Museum of Art, we are transported back in time to witness not only Aumarechal's occupation as a cabinet maker but also his entanglement with illicit activities that led him down a path towards criminality. Through this powerful image, we gain insight into the intersection between photography as documentation and science as evidence-gathering tools employed by law enforcement agencies during that era. It serves as a reminder that behind every face lies stories untold; narratives waiting to be

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