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The Actor Segawa Kikunojo III as the Dragon Maiden Disguised as Osaku in the Play... c
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The Actor Segawa Kikunojo III as the Dragon Maiden Disguised as Osaku in the Play... c
The Actor Segawa Kikunojo III as the Dragon Maiden Disguised as Osaku in the Play Sayo no Nakayama Hiiki no Tsurigane, Performed at the Nakamura Theater in the Eleventh Month, 1790, c. 1790
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Media ID 24373550
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Anger Angry Drag Dramatic Female Impersonator Fury Hamamuraya Roko Hosoban Kabuki Kabuki Actor Katsukawa Shunei Kikunojo Iii Kikunojo Segawa Ladle Onnagata Oyama Rage Segawa Kikunojo Iii Segawa Kikunojo Iv Shunei Katsukawa Block Printing Colour Woodblock Print Playhouse Thespian Tokugawa Period Woodblock Printing
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The Actor Segawa Kikunojo III as the Dragon Maiden Disguised as Osaku in the Play Sayo no Nakayama Hiiki no Tsurigane, Performed at the Nakamura Theater in the Eleventh Month, 1790
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is a captivating woodblock print from the 18th century. Created by Katsukawa Shun'ei during Japan's Edo period, this artwork showcases the artistry and drama of kabuki theater. In this scene, we witness Segawa Kikunojo III portraying a female character known as an onnagata or oyama. Dressed in elaborate traditional attire and wielding a ladle symbolizing her role as a dragon maiden disguised as Osaku, she exudes both power and fury. The vibrant colors and intricate details bring life to this theatrical moment. The play itself explores themes of deception and disguise within Japanese society during that time. As an actor renowned for his talent in female roles, Kikunojo III captivates audiences with his ability to embody femininity while maintaining masculine presence. Displayed at the Art Institute of Chicago's Asian Art Gallery, this woodblock print serves as a testament to Japan's rich artistic heritage. It offers viewers a glimpse into historical entertainment practices while showcasing masterful techniques of block printing. Through its depiction of anger and dramatic intensity, "The Actor Segawa Kikunojo III as the Dragon Maiden Disguised as Osaku" invites us to appreciate not only the skillful craftsmanship but also the cultural significance behind kabuki theater in 18th-century Japan.
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