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The Actor Ichikawa Danjuro II as Soga no Goro and Nakamura Takesaburo I as Kewaizaka no
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The Actor Ichikawa Danjuro II as Soga no Goro and Nakamura Takesaburo I as Kewaizaka no
The Actor Ichikawa Danjuro II as Soga no Goro and Nakamura Takesaburo I as Kewaizaka no Shosho in the play " Bando Ichi Kotobuki Soga, " performed at the Nakamura Theater in the first month, 1715, 1715. Attributed to Torii Kiyonobu I
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Media ID 24377823
© Heritage Art/Heritage Images
Clog Clogs Geta Hand Coloured Woodblock Print Hosoban Tan E Kabuki Kabuki Actor Kiyonobu Torii Kiyonobu Torii I Platform Shoes Platforms Sandal Sandals Shobe Torii Shoe Shoes Straw Hat Tori Kiyonobu Torii Kiyonobu I Torii Shobe Block Printing Footwear Hand Coloured Hand Tinted Playhouse Thespian Tokugawa Period Woodblock Printing
EDITORS COMMENTS
This print showcases the renowned actors Ichikawa Danjuro II and Nakamura Takesaburo I in their roles as Soga no Goro and Kewaizaka no Shosho, respectively. The image captures a scene from the play "Bando Ichi Kotobuki Soga" which was performed at the Nakamura Theater in January 1715 during Japan's Edo period. The hand-coloured woodblock print, attributed to Torii Kiyonobu I, beautifully depicts the actors' elaborate costumes and accessories. Both men are seen wearing traditional Japanese clothing, complete with clogs (geta) and straw hats. Their vibrant attire adds a splash of colour to the composition. Kabuki theatre was highly popular during this era, known for its dramatic performances filled with music, dance, and intricate storytelling. This particular production would have captivated audiences with its compelling narrative and skilled acting. The print provides a glimpse into Japan's rich artistic heritage by showcasing not only the talent of these esteemed actors but also the craftsmanship involved in creating such detailed woodblock prints. It is an excellent example of ukiyo-e artistry—a genre that flourished during this time—combining elements of drama, fashion, and entertainment. Displayed at the Art Institute of Chicago's Asian Art Centre gallery, this piece serves as a testament to both historical significance and artistic excellence within Japanese culture.
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