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KWAKIUTL WEAVER, c1894. A Kwakiutl woman weaving a cedar mat, with a rocking cradle

KWAKIUTL WEAVER, c1894. A Kwakiutl woman weaving a cedar mat, with a rocking cradle


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KWAKIUTL WEAVER, c1894. A Kwakiutl woman weaving a cedar mat, with a rocking cradle

KWAKIUTL WEAVER, c1894.
A Kwakiutl woman weaving a cedar mat, with a rocking cradle suspended at left, in the village of Tsaxis on Vancouver Island, British Columbia, Canada. The ethnologist George Hunt, a collaborator with Franz Boas, is shown at right. Photographed by O.C. Hastings, c1894

Granger holds millions of images spanning more than 25,000 years of world history, from before the Stone Age to the dawn of the Space Age

Media ID 12229060

1894 Bark Branch Canadian Cape Cedar Cradle Craft Ethnologist Fabric First Nation Franz George Ground Hair Hastings Hunt Infant Kwakiutl Loom Manufacture Northwest Pacific Northwest Suspended Swing Vancouver Island Weaver Weaving Wooden Boas Rocking


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> Arts > Realistic drawings > Still life artwork > Still life paintings

> Arts > Street art graffiti > Still life > Still life artwork

> Granger Art on Demand > Native Americans

> North America > Canada > Vancouver


EDITORS COMMENTS
This print from 1894 showcases a Kwakiutl woman immersed in the ancient art of weaving. In the village of Tsaxis on Vancouver Island, British Columbia, Canada, she skillfully works on a cedar mat using traditional techniques passed down through generations. The photograph beautifully captures her seated at a loom, surrounded by the tools of her craft. At left, a rocking cradle hangs suspended, indicating that this talented weaver is not only dedicated to her art but also fulfilling her role as a nurturing mother. On the right side of the image stands George Hunt, an esteemed ethnologist who collaborated with Franz Boas. His presence suggests that this moment was captured during an important documentation of Kwakiutl culture and traditions. The photograph exudes authenticity and offers us a glimpse into daily life among the Kwakiutl people in late 19th century North America. From the intricate patterns taking shape under skilled hands to every strand of hair falling gracefully around the weaver's face, this image transports us back in time. Preserved by O. C. Hastings' lens over a century ago, this remarkable piece serves as both historical evidence and artistic inspiration for those fascinated by indigenous cultures and their rich heritage. It reminds us of the beauty found in craftsmanship and highlights how weaving has long been intertwined with identity and community among First Nations peoples like the Kwakiutl tribe.

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