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WHITES IN AFRICA, 1907. Mrs. Davis in a Borrowed Hammock, the Local Means of
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WHITES IN AFRICA, 1907. Mrs. Davis in a Borrowed Hammock, the Local Means of
WHITES IN AFRICA, 1907.
Mrs. Davis in a Borrowed " Hammock, " the Local Means of Transportation on the West Coast. Photograph, probably by the American writer and journalist Richard Harding Davis from his book The Congo and Coasts of Africa, 1907
Granger holds millions of images spanning more than 25,000 years of world history, from before the Stone Age to the dawn of the Space Age
Media ID 12323576
1907 Africa African Bearer Belgian Black Coast Colonialism Congo Congolese Davis Hammock Harding Imperialism Relaxation Richard Seashore Sedan Chair Servant Upper Class White
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WHITES IN AFRICA, 1907 - Capturing the Essence of Colonial Life
EDITORS COMMENTS
. This print from 1907 titled "WHITES IN AFRICA" offers a glimpse into the world of colonialism and exploration during the turn of the century. The image showcases Mrs. Davis, an upper-class American woman, enjoying a moment of relaxation in a borrowed hammock on the West Coast of Africa. Taken by renowned writer and journalist Richard Harding Davis as part of his book "The Congo and Coasts of Africa" this photograph beautifully encapsulates both the allure and complexities surrounding imperialism at that time. It serves as a visual testament to how Westerners sought comfort amidst unfamiliar territories. Intriguingly, Mrs. Davis is seen reclining in her makeshift mode of transportation - a hammock carried by an African bearer. This striking contrast between cultures highlights not only the stark divide between colonizers and locals but also sheds light on their interdependence within this complex social structure. The serene seashore backdrop further emphasizes the exotic nature of this encounter, inviting viewers to ponder upon questions about power dynamics, privilege, and cultural exchange prevalent during that era. As we reflect upon this historical artifact today, it prompts us to critically examine our past while appreciating its artistic value. This thought-provoking piece allows us to delve deeper into our shared history with Africa – one that encompasses both progress and challenges – ultimately encouraging dialogue towards understanding diverse perspectives across continents.
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