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Japanese samurai warrior, Genkuro Yoshitsune and warrior monk, Saito Musashibo Benkei. Woodblock print by Toyokuni Utagawa, early 19th century

Japanese samurai warrior, Genkuro Yoshitsune and warrior monk, Saito Musashibo Benkei. Woodblock print by Toyokuni Utagawa, early 19th century


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Japanese samurai warrior, Genkuro Yoshitsune and warrior monk, Saito Musashibo Benkei. Woodblock print by Toyokuni Utagawa, early 19th century

SAMURAI, 12th CENTURY.
Japanese samurai warrior, Genkuro Yoshitsune and warrior monk, Saito Musashibo Benkei. Woodblock print by Toyokuni Utagawa, early 19th century

Granger holds millions of images spanning more than 25,000 years of world history, from before the Stone Age to the dawn of the Space Age

Media ID 7959651

12th Century Armor Japan Japanese Monk Saito Samurai Sword Utagawa Warrior Wood Block Wood Cut Benkei Toyokuni Yoshitsune


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EDITORS COMMENTS
This woodblock print from the early 19th century transports us back to the legendary world of Japanese samurai warriors. The print showcases two iconic figures - Genkuro Yoshitsune, a skilled samurai warrior, and Saito Musashibo Benkei, a formidable warrior monk. The intricate details in this artwork by Toyokuni Utagawa bring these historical characters to life. Dressed in traditional armor adorned with elaborate designs, Yoshitsune stands tall and proud, his sword gleaming in the light. By his side stands Benkei, known for his immense strength and loyalty. Their expressions speak volumes about their unwavering determination and readiness for battle. As we gaze at this woodblock print, we are transported to an era where honor and bravery were held above all else. The artist's skillful use of color adds depth and richness to the scene while capturing the essence of 12th-century Japan. This piece serves as a testament to both artistic mastery and historical storytelling. As we admire this remarkable work of art, let us appreciate the legacy left behind by these courageous men who embodied the spirit of bushido - the way of the warrior.

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