Fraud Blocker Skip to main content

Home > Granger Art on Demand > Cartoons

Cartoons Collection (page 8)

505 items

We are proud to offer this selection in partnership with Granger Art on Demand

Background imageCartoons Collection: YELLOW JOURNALISM. Newsboy recruiting card for the New York Evening Journal in

YELLOW JOURNALISM. Newsboy recruiting card for the New York Evening Journal in the form of Richard F. Outcaults Yellow Kid

Background imageCartoons Collection: FREE SILVER CARTOON, 1896. The Free Silver Highwayman at it Again : American cartoon

FREE SILVER CARTOON, 1896. The Free Silver Highwayman at it Again : American cartoon, 1896, by Joseph Keppler, Jr

Background imageCartoons Collection: MARRIAGE FOR TITLES, 1889. An 1889 American cartoon by F

MARRIAGE FOR TITLES, 1889. An 1889 American cartoon by F. Victor Gillam on the marriages of American heiresses to impoverished European title-holders

Background imageCartoons Collection: CARTOON: JAY GOULD, 1885. American cartoon by Frederick Burr Opper, 1885, of Justice

CARTOON: JAY GOULD, 1885. American cartoon by Frederick Burr Opper, 1885, of Justice entangled in a web woven by Jay Gould and his Western Union Telegraph Company

Background imageCartoons Collection: NAST: BOSS TWEED, 1871. One of Thomas Nasts vitriolic cartoon attacks on William M

NAST: BOSS TWEED, 1871. One of Thomas Nasts vitriolic cartoon attacks on William M. Boss Tweed and his ring of corrupt politicians, 1871

Background imageCartoons Collection: JAY GOULD CARTOON, 1885. American cartoon, 1885, of Jay Gould as the pirate of

JAY GOULD CARTOON, 1885. American cartoon, 1885, of Jay Gould as the pirate of Wall Street

Background imageCartoons Collection: THE YELLOW KID. A Few Things the Versatile Yellow Kid Might do for a Living. Drawing

THE YELLOW KID. A Few Things the Versatile Yellow Kid Might do for a Living. Drawing, c1896, by Richard Felton Outcault from the New York Evening Journal, 1896

Background imageCartoons Collection: BROBDINGNAG & GULLIVER. The King of Brobdingnag and Gulliver. Satirical etching

BROBDINGNAG & GULLIVER. The King of Brobdingnag and Gulliver. Satirical etching, 1803, by James Gillray, showing George III with Napoleon

Background imageCartoons Collection: U. S. COMIC STRIPS: The Yellow Kid, created by Richard F. Outcault in 1894

U. S. COMIC STRIPS: The Yellow Kid, created by Richard F. Outcault in 1894
U.S. COMIC STRIPS: The Yellow Kid, created by Richard F. Outcault in 1894

Background imageCartoons Collection: MARCUS ALONZO HANNA (1837-1904). American businessman and politician. Caricature

MARCUS ALONZO HANNA (1837-1904). American businessman and politician. Caricature, 1902, by Thomas Fleming

Background imageCartoons Collection: WORLD WAR I: MEATLESS DAY. A cartoon from a German-language New York newspaper

WORLD WAR I: MEATLESS DAY. A cartoon from a German-language New York newspaper, commenting on the implementation of meatless days to contribute to the war effort, March 1918

Background imageCartoons Collection: WORLD WAR I: WHEATLESS DAY. Cartoon by Clifford K

WORLD WAR I: WHEATLESS DAY. Cartoon by Clifford K. Berryman from a German-language New York newspaper, commenting on the implementation of wheatless days to contribute to the war effort, March 1918

Background imageCartoons Collection: RED SCARE CARTOON, 1919. Contemporary American cartoon on the Red Scare of 1919

RED SCARE CARTOON, 1919. Contemporary American cartoon on the Red Scare of 1919 suggesting that the law was overly lenient with political agitators

Background imageCartoons Collection: NAST: TWEED RING, 1871. The Tammany Tiger Loose. Thomas Nasts powerful indictment of Tweed

NAST: TWEED RING, 1871. The Tammany Tiger Loose. Thomas Nasts powerful indictment of Tweed and his ring, published on the eve of the New York municipal and state elections of 1871

Background imageCartoons Collection: PANAMA CANAL CARTOON, 1912. Uncle Sams Canal

PANAMA CANAL CARTOON, 1912. Uncle Sams Canal. An Irish cartoon of 1912 on British protests against free tolls for American ships passing through the Panama Canal

Background imageCartoons Collection: COLONIALISM CARTOON, 1896. A German cartoon of 1896 on Teutonic efficiency. In the top drawing

COLONIALISM CARTOON, 1896. A German cartoon of 1896 on Teutonic efficiency. In the top drawing, a newly arrived German officer finds everything in Africa in deplorable confusion which

Background imageCartoons Collection: LABOR CARTOON, 1921. Cartoon by John Miller Baer on the front page of the 30 May

LABOR CARTOON, 1921. Cartoon by John Miller Baer on the front page of the 30 May 1921 issue of the Nonpartisan Leader, newspaper of the Nonpartisan League

Background imageCartoons Collection: WILLIAM MILLER (1782-1849). American religious leader, seated in a well-stocked safe

WILLIAM MILLER (1782-1849). American religious leader, seated in a well-stocked safe, awaits the end of the world on April 23, 1843: contemporary satirical lithograph

Background imageCartoons Collection: ANTI-TRUST CARTOON, 1902. The shipping trust satirized in a cartoon from An Alphabet

ANTI-TRUST CARTOON, 1902. The shipping trust satirized in a cartoon from An Alphabet of Joyous Trusts, 1902, by Frederick Burr Opper

Background imageCartoons Collection: NEWS FROM WORTHING, 1807. A young woman sits on a donkey which sits in the sea refusing to move

NEWS FROM WORTHING, 1807. A young woman sits on a donkey which sits in the sea refusing to move. Originally published on May 25, 1807 by Laurie and Whittle, London

Background imageCartoons Collection: BRITISH CARTOON, 1789. --Affairs. The sweet prospect behind us, or The outs in office

BRITISH CARTOON, 1789. --Affairs. The sweet prospect behind us, or The outs in office. Etching and aquatint cartoon by William Dent, 1789

Background imageCartoons Collection: CARTOON: IMPERIALISM, 1884. Getting a Lift! or, The Grand Old Man of the (Red) Sea

CARTOON: IMPERIALISM, 1884. Getting a Lift! or, The Grand Old Man of the (Red) Sea. British cartoon showing Major-General Charles George Gordon carrying British responsibility into Khartoum, Sudan

Background imageCartoons Collection: BRITISH CARTOON, 1789. The sour prospect before us, or the ins throwing up state

BRITISH CARTOON, 1789. The sour prospect before us, or the ins throwing up state --. British cartoon by William Dent, 1789

Background imageCartoons Collection: CARTOON: SOCIALISM, 1879. British cartoon illustrating the fear that the visit of Henry George

CARTOON: SOCIALISM, 1879. British cartoon illustrating the fear that the visit of Henry George, author of Progress and Poverty, to England, would lead to Socialist confiscatory practices in England

Background imageCartoons Collection: GEORGE III & NAPOLEON, 1804. The King of Brobdingnag and Gulliver

GEORGE III & NAPOLEON, 1804. The King of Brobdingnag and Gulliver. King George III of Great Britain and members of his family watching Napoleon, First Consul of France

Background imageCartoons Collection: JUBILEE CARTOON, 1887. The British Lion Prepares for the Jubilee

JUBILEE CARTOON, 1887. The British Lion Prepares for the Jubilee. English cartoon by Sir John Tenniel, 1887, commenting on the approach of Golden Jubilee festivities commemorating the completion of

Background imageCartoons Collection: POLLUTION CARTOON, c1828. Monster Soup. Satirical etching by William Heath, c1828

POLLUTION CARTOON, c1828. Monster Soup. Satirical etching by William Heath, c1828, commenting on the consequences for Londons water supply resulting from the pollution of the Thames River

Background imageCartoons Collection: CARTOON: GOUT, c1815. Origin of the Gout

CARTOON: GOUT, c1815. Origin of the Gout. An upper class man playing the cello finds his gouty leg burned by a devil. Colored etching by Henry William Bunbury, c1815

Background imageCartoons Collection: LONDON: ROYAL ACADEMY. A Shilling Well Laid Out - Tom and Jerry at the Exhibition

LONDON: ROYAL ACADEMY. A Shilling Well Laid Out - Tom and Jerry at the Exhibition of Pictures at the Royal Academy. Etching by George Cruikshank for Pierce Egans Life in London, 1821

Background imageCartoons Collection: LONDON: STREET BRAWL, 1821. The Peep o day boys, A street Row, the Author losing his reader

LONDON: STREET BRAWL, 1821. The Peep o day boys, A street Row, the Author losing his reader, Tom and Jerry showing fight, and Logic floored

Background imageCartoons Collection: MONKEY-BAITING, 1821. Tom and Jerry Sporting Their Blunt on the Phenomenon Monkey

MONKEY-BAITING, 1821. Tom and Jerry Sporting Their Blunt on the Phenomenon Monkey Jacco Macacco at the Westminster Pit. Etching by George Cruikshank illustrating the English fascination with

Background imageCartoons Collection: LONDON: COURTROOM, 1821. Tom and Jerry in Trouble after a Spree. English dandies

LONDON: COURTROOM, 1821. Tom and Jerry in Trouble after a Spree. English dandies, Tom and Jerry, before a judge. Etching by George Cruikshank for Pierce Egans Life in London, 1821

Background imageCartoons Collection: FASHION: HATS, 1827. Shady Retreats for Summer. English satirical etching, 1827

FASHION: HATS, 1827. Shady Retreats for Summer. English satirical etching, 1827, commenting on trends in womens hats

Background imageCartoons Collection: WOMENs FASHION, 1827. Satirical etching by William Heath, 1827, contrasting women s

WOMENs FASHION, 1827. Satirical etching by William Heath, 1827, contrasting women s
WOMENs FASHION, 1827. Satirical etching by William Heath, 1827, contrasting womens fashions in England of the time (right) with those of fifty years earlier

Background imageCartoons Collection: FASHION: BUSTLE, c1830. Unpleasant Occurrences. A woman loses her bustle on a public street

FASHION: BUSTLE, c1830. Unpleasant Occurrences. A woman loses her bustle on a public street. Satirical etching by William Heath, c1830

Background imageCartoons Collection: BRITISH PROSPERITY, 1773. The Mother and the Child

BRITISH PROSPERITY, 1773. The Mother and the Child. English cartoon, 1773, comparing the countrys prosperity in 1753 under King George II, with the situation in 1773 under King George III

Background imageCartoons Collection: STAMP ACT CARTOON, 1766. Detail of a cartoon, 1766, captioned The Ballance, or

STAMP ACT CARTOON, 1766. Detail of a cartoon, 1766, captioned The Ballance, or the Americans Triumphant commenting on William Pitts speech in Parliament, 14 January 1766

Background imageCartoons Collection: FASHION: BUSTLE, c1830. The Bustle. Satirical etching by William Heath, c1830

FASHION: BUSTLE, c1830. The Bustle. Satirical etching by William Heath, c1830

Background imageCartoons Collection: ENGLISH FASHIONS, 1827. Monstrosities of 1827. Satirical etching by Robert Cruikshank

ENGLISH FASHIONS, 1827. Monstrosities of 1827. Satirical etching by Robert Cruikshank, 1827

Background imageCartoons Collection: CRUIKSHANK: TAILOR, 1820. An English dandy (Tom) waits while his friend (Jerry)

CRUIKSHANK: TAILOR, 1820. An English dandy (Tom) waits while his friend (Jerry) is measured by a London tailor. Aquatint, 1820, by Isaac Robert and George Cruikshank, for Pierce Egans Life in London

Background imageCartoons Collection: OBESE MAN AND ROOSTER. Wood engraving, English, c1854

OBESE MAN AND ROOSTER. Wood engraving, English, c1854

Background imageCartoons Collection: GAS STRIKE, 1889. The Threatened Plague of Darkness. English cartoon by Sir John Tenniel

GAS STRIKE, 1889. The Threatened Plague of Darkness. English cartoon by Sir John Tenniel, 1889, on the success of the South Metropolitan Gas Company in breaking a strike by several hundred gas

Background imageCartoons Collection: TRIPLE ALLIANCE, 1888. The Sisters Three; or, The Triple Alliance

TRIPLE ALLIANCE, 1888. The Sisters Three; or, The Triple Alliance
TRIPLE ALLIANCE, 1888. " The Sisters Three; " or, The Triple Alliance. English cartoon by Sir John Tenniel, 1888, likening the Triple Alliance of (right-to-left) Germany, Austria-Hungary

Background imageCartoons Collection: LONDON PRESS, 1875. Tom Thumb the Great! English cartoon by Sir John Tenniel

LONDON PRESS, 1875. Tom Thumb the Great! English cartoon by Sir John Tenniel, 1875, on the summoning of the printers of the London Times and Daily News to the Bar of the House

Background imageCartoons Collection: COAL CARTOON, 1898. On the Quay Vive ! English cartoon by Sir John Tenniel, 1898

COAL CARTOON, 1898. On the Quay Vive ! English cartoon by Sir John Tenniel, 1898
COAL CARTOON, 1898. On the " Quay Vive" ! English cartoon by Sir John Tenniel, 1898, questioning the wisdom of exporting coal from Wales for use by foreign navies

Background imageCartoons Collection: RELIGIOUS DISSENTERS, 1843. Battle of the Alphabet

RELIGIOUS DISSENTERS, 1843. Battle of the Alphabet. An English cartoon of 1843 commenting on the negative reaction of dissenting churches to the educational provisions in the Factory Bill then before

Background imageCartoons Collection: LIQUOR TAX CARTOON, 1796. The Wine Duty, or The Triumph of Bacchus and Silenus

LIQUOR TAX CARTOON, 1796. The Wine Duty, or The Triumph of Bacchus and Silenus with John Bulls Remonstrance. John Bull petitioning William Pitt and Henry Dundas to lighten the liquor tax

Background imageCartoons Collection: ENGLISH TAX CARTOON, 1848. Lord John and the Chancellor of the Exchequer packing

ENGLISH TAX CARTOON, 1848. Lord John and the Chancellor of the Exchequer packing their carpet bag



All Professionally Made to Order for Quick Shipping



-

Why Choose Us?

We are a leading provider of Art Prints and Photo Gifts since 2003, working in partnership with a range of Sporting Clubs, Charities, Museums and Picture Libraries. A large share of profits from any of their images will go directly towards supporting that charity or club. Our archive of images is carefully curated to bring you a wide range of subjects, including landscapes, wildlife, architecture, and more. We ship from our partner labs in the UK, USA, EU (Netherlands) and Australia.
+

How do I place an order?

Ordering is quick & easy - Just follow 5 Simple Steps:
  1. Find your image: Use our search box or browse our online photo Collections to find the image you want.

  2. Choose your print format: Select your desired product and add it to your cart.

  3. Enter your details: If you're a returning customer, simply enter your email address and password, and we'll fill in your billing and shipping address details. All personal details are held securely and are fully GDPR compliant. As standard, we remove all Personally Identifiable Information after 12 months.

  4. Pay for your purchase: We use state-of-the-art security for online shopping and do not have access to your card details.

  5. Sit back and relax: We'll email you confirmation of your order and when it's dispatched. Registered customers can also track orders in the 'My Account' area.

+

How do I pay for an order?

You can pay for your order with most of the major credit and debit cards, or PayPal. For added security, major financial institutions process payment details separately and securely on our behalf. We do not have access to your online payment card details. Online payments are preferred however we do take phone orders. For UK customers only we accept cheques issued against a UK bank.
+

Is my data safe?

We take data security very seriously. We do not have access to your full card details and all payments are requested over a fully secure connection. Additionally, we fully comply with current European and GDPR legislation, and automatically remove all personal data after at most 12 months (unless you have an account with us and have signed in recently). We also have a strict opt-in policy and would never sell your personal details. Your data is only used to fulfill your order promptly and efficiently.
+

Is wall art ready to hang?

For quick and easy installation all wall art, including framed prints, canvas prints and metal prints are supplied with a ready to hang solution on the back. Generally, saw tooth hangers are applied as they allow wall art to hang flush against the wall. The serrated edge of the hanger prevents the frame from shifting or tilting when hung.
+

Are the photo prints fade resistant?

Yes, we use archival quality photo paper photographic paper for vivid reproduction Prints are an accurate representations of the original artwork, which is preserved for artistic character and authenticity. We guarantee they match previews shown on our web site