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QUEEN ELIZABETH I (1533-1603). Queen of England and Ireland, 1558-1603. Oil on canvas

QUEEN ELIZABETH I (1533-1603). Queen of England and Ireland, 1558-1603. Oil on canvas


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QUEEN ELIZABETH I (1533-1603). Queen of England and Ireland, 1558-1603. Oil on canvas

QUEEN ELIZABETH I
(1533-1603). Queen of England and Ireland, 1558-1603. Oil on canvas, c1592, by Marcus Gheeraerts the Younger

Granger holds millions of images spanning more than 25,000 years of world history, from before the Stone Age to the dawn of the Space Age

Media ID 12234818

1592 Elizabeth I Elizabethan Gheeraerts Gown Ireland Irish Marcus Queen Tudor


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QUEEN ELIZABETH I (1533-1603) - A Captivating Portrait of Royal Power and Elegance

EDITORS COMMENTS
. This exquisite oil on canvas print showcases the iconic Queen Elizabeth I, a formidable figure who reigned over England and Ireland from 1558 to 1603. Painted around 1592 by the talented Marcus Gheeraerts the Younger, this portrait captures the essence of Elizabethan fashion and Renaissance artistry. Queen Elizabeth stands tall in her resplendent gown, radiating regal authority and grace. Her elaborate attire reflects her status as a powerful monarch, adorned with intricate embroidery and luxurious fabrics that epitomize Tudor opulence. The artist's meticulous attention to detail brings out every nuance of her majestic presence. Elizabeth's enigmatic expression hints at both strength and vulnerability, revealing the complexities of her reign. As one of history's most influential female leaders, she navigated treacherous political waters with intelligence and determination while defying societal expectations for women. This remarkable artwork not only immortalizes Queen Elizabeth I but also serves as a testament to her enduring legacy. It symbolizes an era defined by cultural richness, artistic innovation, and royal grandeur. Through this portrait, we are transported back in time to witness the magnificence of one of England's most celebrated queens. Granger Art on Demand presents this stunning print with utmost reverence for historical significance. It allows us to appreciate the mastery behind Marcus Gheeraerts' brushst

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