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The President of the United States and his Cabinet, for 1872. (?) Cartoon by Thomas Nast from an American newspaper of August 1871, placing members of the Tweed Ring in cabinet posts as a possible outcome of the November election
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The President of the United States and his Cabinet, for 1872. (?) Cartoon by Thomas Nast from an American newspaper of August 1871, placing members of the Tweed Ring in cabinet posts as a possible outcome of the November election
NAST: TWEED RING CARTOON.
The President of the United States and his Cabinet, for 1872.(?) Cartoon by Thomas Nast from an American newspaper of August 1871, placing members of the Tweed Ring in cabinet posts as a possible outcome of the November election
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Media ID 7777049
1871 Cabinet Corruption Election Employer Field Fisk Hall Hoffman Ingersoll Magear Marcy Membership Nast Tweed Tweed Ring Connolly Garvey Sweeny Will I Am
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The President of the United States and his Cabinet, for 1872. (?) Cartoon by Thomas Nast from an American newspaper of August 1871, placing members of the Tweed Ring in cabinet posts as a possible outcome of the November election. In this thought-provoking cartoon by Thomas Nast, created in August 1871, we are presented with a satirical depiction of the potential consequences that could arise from the upcoming November election. The image portrays the President of the United States surrounded by his Cabinet members, all belonging to the notorious Tweed Ring. The Tweed Ring was a corrupt political organization led by William M. "Boss". Tweed in New York City during this time period. Known for their embezzlement and bribery schemes, they held significant power and influence over city politics. Nast's cartoon serves as a scathing critique on corruption within government institutions. Through clever caricatures and symbolism, Nast highlights key figures associated with the Tweed Ring such as Connolly, Fisk, Marcy, Hoffman, Ingersoll Sweeny Garvey among others who are depicted occupying prominent positions within the Cabinet. This visual representation suggests that if left unchecked or supported through electoral victories, corruption will infiltrate even higher levels of government. Nast's powerful engraving serves as both a warning against complacency towards corruption and an urgent call for citizens to exercise their democratic rights responsibly during elections. It stands as a testament to his commitment to exposing political misconduct through art.
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