Zinkeisen Collection

Sketch by Fish showing the scene Venetian Nights from CB Cochrans cabaret show Suppertime at the Trocadero, London, 1926. Dress and decor by Doris Zinkeisen Date: 1926

A portrait of the painter and costume designer Doris Zinkeisen, 1926 Date: 1926

"The question was, were the mirrors in the corners of the room positively libellous
" The question was, were the mirrors in the corners of the room positively libellous, or did one look every inch the grotesque figure reflected

Doris and Anna Zinkeisen at the theatre
Doris (left) and Anna Zinkeisen, artist sisters and designers, pictures at the opening night of " Waltzes in Vienna" at Alhambra Theatre in August 1931. Date: 1931

The Massine Ballet in C. B. Cochrans cabaret show Bon Ton
A scene from the Leonide Massine Ballet The Picnic in C.B. Cochrans cabaret show Bon Ton at the Trocadero Restaurant, 1925

Heather Thatcher in costume with artist Doris Zinkeisen
Heather Thatcher (1896-1987), English actress, in costume, having a design painted on it by the Scottish artist and costume designer, Doris Clare Zinkeisen (1898-1991)

Doris Zinkeisen (1898-1991), Scottish theatrical stage and costume designer, painter, commercial artist and writer. She was best known for her work in theatrical design

Anna Zinkeisen
Scottish artist Anna Katrina Zinkeisen (1901-1976), renowned as a painter, poster artist, illustrator and designer. Pictured with some designs for plaques for Wedgewood she carried out for the firm

Anna Zinkeisen preparing designs for the Queen Mary
Anna Zinkeisen pictured at work in her studio on designs for a decorative scheme in the ballroom of the Queen Mary ocean liner. Date: 1935

Doris Zinkeisen preparing designs for the Queen Mary
Doris Zinkeisen at work in her studio where she was in the midst of preparing designs for the cabaret bar of the liner, the Queen Mary. Date: 1935

Miss Anna Katrina Zinkeisen (1901-1976) - Scottish painter and artist and " well-known contributor to The Sketch". Date: 1927

Anna Zinkeisen, 1928
Artist Anna Katrina Zinkeisen (1901-1976) who had recently married Captain Guy Heseltine. 1928

The Bystander Royal Wedding Number front cover
Front cover of a special issue of The Bystander in 1934, commemorating the marriage of Prince George, Duke of Kent to Princess Marina of Greece

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Zinkeisen: A Dynamic Duo of Artistic Brilliance Step into the enchanting world of Zinkeisen, where art and costume design intertwine to create captivating scenes. In a sketch by Fish titled "Venetian Nights, " we are transported to a mesmerizing setting filled with vibrant colors and intricate details. At the heart of this creative partnership are two remarkable women - Doris and Anna Zinkeisen. Not only were they accomplished painters, but also talented costume designers who brought their imaginative visions to life on stage and canvas. In one instance, the question arose about whether the mirrors in the corners of a room were positively libellous. This intriguing anecdote highlights their attention to detail and willingness to push artistic boundaries. Doris and Anna's passion for theater is evident as we catch a glimpse of them at the theatre, fully immersed in its magical ambiance. They collaborated with C. B. Cochran's cabaret show Bon Ton, where The Massine Ballet came alive under their visionary guidance. Their creativity knew no bounds as they worked alongside renowned actress Heather Thatcher, dressing her up in exquisite costumes that added an extra layer of allure to her performances. Anna Zinkeisen was known for her meticulous preparations while designing for iconic ships like Queen Mary. Her dedication shone through every stroke of her brush as she crafted stunning visuals that would leave passengers awe-inspired during their voyages. Similarly, Doris Zinkeisen poured her soul into preparing designs for Queen Mary, ensuring that every inch reflected elegance and sophistication fit for royalty. Miss Anna Katrina Zinkeisen left an indelible mark on Scottish artistry throughout her career spanning from 1901-1976. Her contributions continue to inspire generations even today. In a portrait capturing Anna's essence in 1928, we witness both strength and vulnerability beautifully entwined within her gaze – a testament to her artistic prowess. The legacy lives on, reminding us of the power of collaboration and the transformative nature of art.