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Zürich 1741–1825 London Collection

"Zürich 1741–1825 London

Background imageZürich 1741–1825 London Collection: Drawings Prints, Print, Wie, Till, die, Schneider, duch, Saue, straft, How, Eugenspiegel

Drawings Prints, Print, Wie, Till, die, Schneider, duch, Saue, straft, How, Eugenspiegel
Drawings and Prints, Print, Wie Till die Schneider duch Saue straft (How Till Eugenspiegel Punished the Tailors), Heinrich Fuessli sammtliche Werke, 1807, part I, no

Background imageZürich 1741–1825 London Collection: Drawings Prints, Print, Night Mare, Engraver, Artist, Publisher, Laurede, Henry Fuseli

Drawings Prints, Print, Night Mare, Engraver, Artist, Publisher, Laurede, Henry Fuseli
Drawings and Prints, Print, The Night Mare, Engraver, Artist, Publisher, After, Laurede, Henry Fuseli, Lenoir, French, late 18th century, Swiss, Zurich 1741-1825 London, French, active 1775-1820

Background imageZürich 1741–1825 London Collection: Drawings Prints, Print, Der Besessene, Escapee, Real, Scene, Hospital, San, Spirito

Drawings Prints, Print, Der Besessene, Escapee, Real, Scene, Hospital, San, Spirito
Drawings and Prints, Print, Der Besessene (The Escapee: A Real Scene in the Hospital of San Spirito at Rome), Heinrich Fuessli sammtliche Werke, vol

Background imageZürich 1741–1825 London Collection: Drawings Prints, Print, Fuessli und Bodmer, Fuseli Bodmer Conversation, Heinrich

Drawings Prints, Print, Fuessli und Bodmer, Fuseli Bodmer Conversation, Heinrich
Drawings and Prints, Print, Fuessli und Bodmer (Fuseli and Bodmer in Conversation), Heinrich Fuessli sammtliche Werke, 1807, Artist, Engraver, After, Henry Fuseli, Johann Heinrich Lips, Swiss

Background imageZürich 1741–1825 London Collection: Drawings Prints, Print, Hercules, Slays, Diomedes, Flesh-Eating, Mares, Apollodorus

Drawings Prints, Print, Hercules, Slays, Diomedes, Flesh-Eating, Mares, Apollodorus
Drawings and Prints, Print, Hercules Slays Diomedes and his Flesh-Eating Mares (Apollodorus, II, 5, 8 and Quintus Smyrnaeus, VI, 247-250), Heinrich Fuessli sammtliche Werke, 1807, part I, no

Background imageZürich 1741–1825 London Collection: Drawings Prints, Print, Chrysogone Conceives, Ray Sunshine, Amoretta Belphoebe, Edmund Spenser

Drawings Prints, Print, Chrysogone Conceives, Ray Sunshine, Amoretta Belphoebe, Edmund Spenser
Drawings and Prints, Print, Chrysogone Conceives, in a Ray of Sunshine, Amoretta and Belphoebe (Edmund Spenser, The Faerie Queene, III, vi), Artist, Henry Fuseli, Swiss, Zurich 1741-1825 London

Background imageZürich 1741–1825 London Collection: Drawings Prints, Print, Das, Gespenst, des, Dion, Apparition, Appears, Dion, Wielding

Drawings Prints, Print, Das, Gespenst, des, Dion, Apparition, Appears, Dion, Wielding
Drawings and Prints, Print, Das Gespenst des Dion (The Apparition Appears to Dion Wielding a Broom, Plutarch, Dion, 55), Heinrich Fuessli sammtliche Werke, 1807, part I, no

Background imageZürich 1741–1825 London Collection: Drawings Prints, Print, Der Schweizerbund, Oath Rutli, Heinrich Fuessli sammtliche Werke

Drawings Prints, Print, Der Schweizerbund, Oath Rutli, Heinrich Fuessli sammtliche Werke
Drawings and Prints, Print, Der Schweizerbund (The Oath of the Rutli), Heinrich Fuessli sammtliche Werke, 1807, part II, no

Background imageZürich 1741–1825 London Collection: Drawings Prints, Print, Flora Attired Elements, Frontispiece Economy Vegetation, vol

Drawings Prints, Print, Flora Attired Elements, Frontispiece Economy Vegetation, vol
Drawings and Prints, Print, Flora Attired by the Elements (Frontispiece to The Economy of Vegetation, vol. I of Erasmus Darwins The Botanic Garden), Artist, Engraver, Publisher, After, Henry Fuseli

Background imageZürich 1741–1825 London Collection: Drawings Prints, Print, Caius, Marius, Cimbrian, Soldier, Plutarch, Marius, 39, Lucan

Drawings Prints, Print, Caius, Marius, Cimbrian, Soldier, Plutarch, Marius, 39, Lucan
Drawings and Prints, Print, Caius Marius and the Cimbrian Soldier (Plutarch, Marius, 39; Lucan, Pharsalia, XI, 75-86), Heinrich Fuessli sammtliche Werke, 1807, part II, no

Background imageZürich 1741–1825 London Collection: Drawings Prints, Print, Wie, Till, zur, Barbier, durchs, Fenster, komt, How

Drawings Prints, Print, Wie, Till, zur, Barbier, durchs, Fenster, komt, How
Drawings and Prints, Print, Wie Till zur Barbier durchs Fenster komt (How Till Eupenspiegel Came In Through the Barbers Window), Heinrich Fuessli sammtliche Werke, 1807, part I, no

Background imageZürich 1741–1825 London Collection: Drawings Prints, Print, Daughter Herodias, Salome, Receiving, Head, John, Baptist

Drawings Prints, Print, Daughter Herodias, Salome, Receiving, Head, John, Baptist
Drawings and Prints, Print, The Daughter of Herodias (Salome Receiving the Head of John the Baptist, Matthew 14:10-11), Artist, Publisher, Engraver, After, Henry Fuseli, Thomas Holloway

Background imageZürich 1741–1825 London Collection: Drawings Prints, Night Children, Aither Hemera, Hesiod, Theogony, Artist, Henry Fuseli

Drawings Prints, Night Children, Aither Hemera, Hesiod, Theogony, Artist, Henry Fuseli
Drawings and Prints, Night and Her Children Aither and Hemera (Hesiod, Theogony), Artist, Henry Fuseli, Swiss, Zurich 1741-1825 London, Fuseli, Henry, Swiss, 1741, 1825, ca. 1810-15, 1805

Background imageZürich 1741–1825 London Collection: Drawings Prints, Print, Belisane, Percival, Under, Enchantment, Urma, Heinrich Fuessli sammtliche

Drawings Prints, Print, Belisane, Percival, Under, Enchantment, Urma, Heinrich Fuessli sammtliche
Drawings and Prints, Print, Belisane and Percival Under the Enchantment of Urma, Heinrich Fuessli sammtliche Werke, 1807, part II, no


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"Zürich 1741–1825 London: A Journey through Drawings and Prints" Step into the world of art as we explore the captivating works of Zürich-born artist Heinrich Fuseli during his time in London. Known for his imaginative and often dark compositions, Fuseli's prints and drawings offer a glimpse into the depths of human emotion and the supernatural. In "Wie Till die Schneider duch Saue straft, " we witness Till Eulenspiegel's mischievous antics brought to life through intricate engravings. The nightmarish imagery in "Night Mare" showcases Fuseli's talent as both an engraver and an artist, while his role as a publisher is highlighted in Laurede Henry Fuseli's print. Venturing further into the realm of fantasy, "Der Besessene" presents a real scene from San Spirito Hospital where an escapee finds himself haunted by unseen forces. In "Fuessli und Bodmer, " we witness a conversation between two great minds - Heinrich Fuessli and Johann Jakob Bodmer - captured on paper forever. The mythological tale of Hercules slaying Diomedes' flesh-eating mares comes alive in one of Apollodorus' prints. Meanwhile, Chrysogone conceives Ray Sunshine Amoretta Belphoebe under Edmund Spenser's watchful eye, showcasing Fuessli's ability to bring literary works to visual life. Prepare for chills as Dion appears wielding his ghostly apparition in "Das Gespenst des Dion. " Witness history unfold with "Der Schweizerbund, " capturing the oath at Rutli that formed Switzerland. Flora attired elements grace the frontispiece Economy Vegetation vol. , adding beauty to scientific exploration. Delve into ancient times with Caius Marius depicted as a brave soldier by Plutarch in Marius 39 Lucan.