Yoshitoshi Collection

Teasing the Cat, 1888. Creator: Tsukioka Yoshitoshi
Teasing the Cat, 1888

Fudo Myoo Threatening a Novice, 1885. Creator: Tsukioka Yoshitoshi
Fudo Myoo Threatening a Novice, 1885

Rising Moon over Mount Nanping Date: 1885

Kintaro rigyo o toru (Kintaro catches a giant Carp), 1885. Creator: Yoshitoshi, Tsukioka (1839-1892)
Kintaro rigyo o toru (Kintaro catches a giant Carp), 1885. Private Collection

Two Brave Men (Inuzuka Shino und Inukai Gempachi) Fighting on the Roof of Horyukaku. Private Collection

Taira Koremochi Conquering the Devil Woman on Mount Togakushi (Taira no Koremochi... 1887)
Taira Koremochi Conquering the Devil Woman on Mount Togakushi (Taira no Koremochi... 1887. Private Collection

Portrait of Takamori Saigo (1827-1877), 1888. Creator: Yoshitoshi, Tsukioka (1839-1892)
Portrait of Takamori Saigo (1827-1877), 1888. Private Collection

Ono no Komachi, from the Series "One Hundred Aspects of the Moon", 1886. Private Collection

French and British troops engaged in military training manoeuvres, Yokohama, Japan
528555 French and British troops engaged in military training manoeuvres, Yokohama, Japan. Part of triptych by Taiso Yoshitoshi (1839-1892) Japanese ukiyo-e artist

French and British troops engaged in military training manoeuvres, Yokohama, Japan. British cavalry exercise
528556 French and British troops engaged in military training manoeuvres, Yokohama, Japan. British cavalry exercise. Part of triptych by Taiso Yoshitoshi (1839-1892) Japanese Ukiyo-e artist

Hideyoshi and His Troops Leaving Nagoya Camp (Mashiba Hideyoshi ko nagoya jin saki te no shosho kuridashi no zu), 19th century

Illustration of Cavalry, Infantry and Soldiers Retreating (Kiheitai, hoheitai, daichoren no zu), 8th month, 1867

Masakiyos Challenging Battle, from the series Taiheiki (Taiheiki, Masakiyo nansen no zu), 1866

Illustration of a Large French Port Trading with Many Nations (Furansukoku oominato shokoku koeki zu), 4th month, 1866

Plum Blossoms in the Forest of Ikuta, from the series Bravery-Beauty of the four seasons (Buyu setsugekka no uchi-Ikuta no mori, Ebira no ume), 1867

Collection of Desires, Wish for Foreign Travel (Mitate Tai zukushi-yoko ga shitai), January, 1878

Chronicle of the Imperial Restoration (Kokoku isshin kenbunshi), June, 1876. June, 1876
Chronicle of the Imperial Restoration (Kokoku isshin kenbunshi), June, 1876

Waking Up: A Girl of the Koka Era (1844-1848), 1888. Creator: Tsukioka Yoshitoshi
Waking Up: A Girl of the Koka Era (1844-1848), 1888

Feeling Warm, 1888. Creator: Tsukioka Yoshitoshi
Feeling Warm, 1888

Kurahashi Densuke Kiyohara Takeyuki, 19th century. Creator: Tsukioka Yoshitoshi
Kurahashi Densuke Kiyohara Takeyuki, 19th century

Police Superintendants Party: A Gift of Food and Drink, September 1877

Fifty-three Stations of Suehiro: Warrior Looks at Passing Steamship, ca. 1865

Murasaki Shikibu at Ishiyamadera Temple, based on the print... ca. 1892. Creator
Murasaki Shikibu at Ishiyamadera Temple, based on the print " The Moon at Ishiyama, " from the series One Hundred Aspects of the Moon (Tsuki hyakushi: Ishiyama no tsuki), ca. 1892

The ghost of Oiwa, Second Half of the 19th cen Creator: Yoshitoshi, Tsukioka (1839-1892)
The ghost of Oiwa, Second Half of the 19th cen.. Private Collection

Wrestling match Koyonagi Tsunekichi vs Arauma Daigoro, 1885. Private Collection

Lady Ejima and the actor Ikushima Shingoro, from the series A New Selection of Eastern Brocade Pictures, 1886. Private Collection

One Hundred Aspects of the Moon: The Rabbit in the Moon and the Monkey King, 1889. Found in the collection of Iwami Art Museum, Masuda

The Courtesan Komurasaki of the Kadoebiro House. Found in the Collection of Van Gogh Museum, Amsterdam

The Courtesan Kobai of the Yawataro House. Found in the Collection of Van Gogh Museum, Amsterdam

Satomi Jirotaro Yoshishige (from the series Stories of Beauty and Bravery (Biyu Suikoden), 1866-1867. From a private collection

Pandoras box, 1880s. Artist: Yoshitoshi, Tsukioka (1839-1892)
Pandoras box, 1880s. From a private collection

The ghost of Okiku at Sarayashiki. (From the series New Forms of Thirty-six Ghosts), 1890. From a private collection

The Tengus, c1880, (1926). Artist: Tsukioka Yoshitoshi
The Tengus, c1880, (1926). From The Studio Volume 91. [London Offices of the Studio, London, 1926]

Twenty-Four Hours at Shinbashi / Yanagibashi: 12 Noon. (Shinyanagi nijuyo-ji
Twenty-Four Hours at Shinbashi/Yanagibashi: 12 Noon. (Shinyanagi nijuyo-ji, gozen juni-ji), 1880

Banzuiin Chobei, from the series Story of Brocades of the East in the Floating World (Azuma no hana ukiyo kodan - Banzuiin Chobei), 10th month, 1867

Susanoo no Mikoto, Shinto god of storms, standing by a woman on the edge of a cliff, pointing towards the sea
SHINTO GOD: SUSANOO. Susanoo no Mikoto, Shinto god of storms, standing by a woman on the edge of a cliff, pointing towards the sea. Woodcut by Yoshitoshi Taiso, late 19th century

SusanAc no mikoto, Susanoo no mikoto. Taiso, Yoshitoshi, 1839-1892, artist, [188-], 1 print : woodcut, color; 31 x 19.3 cm

iya tarAc mitsukuni, Taiso, Yoshitoshi, 1839-1892, artist, 1865. 1 print : woodcut
AIya tarAc mitsukuni, Taiso, Yoshitoshi, 1839-1892, artist, 1865. 1 print : woodcut, color; 36.5 x 24.2 cm. Print shows AIya TarAc Mitsukuni watching a battle scene between armies of skeletons

Hangakujo, The female warrior Hangaku. Taiso, Yoshitoshi, 1839-1892, artist, Japan : Tsunajima Kamekichi, [ca. 1885], 1 print : woodcut, color; 37 x 25.3 cm

Kakitsubata o matsu wakashA, Young dandy carrying irises. Taiso, Yoshitoshi, 1839-1892, artist, 1866. 1 print : woodcut, color; 36.3 x 23.7 cm (top panel), 34.7 x 23.7 cm (bottom panel)

Tamausagi songokA, Songoku and jewel hare. Taiso, Yoshitoshi, 1839-1892, artist, [between 1885 and 1890], 1 print : woodcut, color; 32 x 21.8 cm

Sumiyoshi no meigetsu, Autumn moon over Sumiyoshi. Taiso, Yoshitoshi, 1839-1892, artist, [188-], 1 print : woodcut, color; 30.6 x 19.1 cm

Yamato Takeru no Mikoto, Taiso, Yoshitoshi, 1839-1892, artist, [188-], 1 print : woodcut, color; 37.2 x 25.3 cm. Print shows folk hero Yamato Takeru no Mikoto about to stab a man with a sword

JAPANESE SAMURAI. Japanese samurai warrior, Oya Taro Mitsukuni watching a battle scene between armies of skeletons. Woodcut print by Yoshitoshi Taiso, 1865

LADY HANGAKU, c1885. Lady Hangaku, a samurai warrior from the 12th century. Woodcut by Yoshitoshi, c1885

A Holy Man Meditating Beneath the Full Moon. Japanese Oban color print, 1887
YOSHITOSHI: HOLY MAN. A Holy Man Meditating Beneath the Full Moon. Japanese Oban color print, 1887

French and British troops engaged in military training manoeuvres, Yokohama, Japan. British cavalry exercise. Part of triptych by Taiso Yoshitoshi (1839-1892) Japanese Ukiyo-e artist. Horse

Also known as Prince Ouso. Japanese legendary prince of the 4th century A. D
YAMATO TAKERU NO MIKOTO. Also known as Prince Ouso. Japanese legendary prince of the 4th century A.D. Yamato Takeru about to stab a man with a sword. Woodblock print by Yoshitoshi Taiso, c1885

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Yoshitoshi: A Glimpse into the Artistic World of Tsukioka Yoshitoshi Step into the captivating world of Tsukioka Yoshitoshi, a renowned Japanese ukiyo-e artist whose masterpieces continue to mesmerize art enthusiasts even today. With his exceptional talent and unique style, it has left an indelible mark on the art scene. In "Teasing the Cat, " created in 1888, Yoshitoshi showcases his ability to capture everyday moments with extraordinary detail. The mischievousness in the eyes of both cat and child is palpable, evoking a sense of playfulness that transcends time. "Fudo Myoo Threatening a Novice, " from 1885, transports us to a realm where Buddhist deities hold immense power. Through intricate brushstrokes and vivid colors, Yoshitoshi depicts Fudo Myoo's intimidating presence as he tests the resolve of a novice monk—an awe-inspiring portrayal that reflects spiritual strength. The enchanting "Rising Moon over Mount Nanping" (1885) reveals Yoshitoshi's mastery in capturing nature's beauty. The moon casts its ethereal glow upon Mount Nanping, creating an otherworldly ambiance that invites contemplation and serenity. Moving beyond traditional themes, we find ourselves amidst military training maneuvers in Yokohama through Taiso Yoshitoshi's triptych series. In one panel featuring French and British troops engaged in exercises (date unknown), we witness infantry field artillery guns being put through their paces—a testament to Japan's growing international relations during this period. Continuing our exploration of military scenes by Taiso Yoshitoshi is another panel showcasing British cavalry exercise—galloping horses exuding strength and grace against Yokohama's backdrop—a visual spectacle that captures both precision and power. Traveling back in time to feudal Japan brings us face-to-face with historical events.