Xxii Collection

Magician performing the cup and balls trick
Undated illustration, coloured, of a magician performing the cup and balls trick to a gathered audience, entitled " Tableaux de Paris: L Escamoteur, sur le boulevard

Proverbs Xxii: 1
PROVERBS XXII:1 A good name is rather to be chosen than great riches: and loving favour rather than silver & gold

A Nereid (sea nymph) in mantle and bracelets riding on a sea monster or hippocampus, half horse and half fish
FLO4687013 A Nereid (sea nymph) in mantle and bracelets riding on a sea monster or hippocampus, half horse and half fish. Museo Naz. XXII, Stabiae

Nereid sea nymph supported by a monster, half panther and half fish. Museo Naz. XXII, Stabiae
FLO4687010 Nereid sea nymph supported by a monster, half panther and half fish. Museo Naz. XXII, Stabiae. Chromolithograph by Victor Steeger after an illustration by Geremia Discanno from Emile

SE-ABA - Lappland - A. B. Aerotransport Swedish Airlines - airliner Fokker F.XXII for 22 passengers - operating on the Malmo, Sweden to Amsterdam, The Netherlands route

Peters Repentance, Luke, XXII, 61, 62 (engraving)
6002832 Peters Repentance, Luke, XXII, 61, 62 (engraving) by English School, (19th century); Private Collection; (add.info.: Peters Repentance, Luke, XXII, 61, 62)

A Nereid (sea nymph) in mantle and bracelets riding on a sea monster or hippocampus, half horse and half fish. Museo Naz. XXII, Stabiae

Nereid sea nymph supported by a monster, half panther and half fish. Museo Naz. XXII, Stabiae. Chromolithograph by Victor Steeger after an illustration by Geremia Discanno from Emile Presuhns Les

Charge of Joshua, adapted from the Antique, Joshua xxii (engraving)
2781759 Charge of Joshua, adapted from the Antique, Joshua xxii (engraving) by English School, (19th century); Private Collection; (add.info.: Charge of Joshua, adapted from the Antique, Joshua xxii)

Peters Denial of Christ, St Luke, ch xxii, ver 55, 56 (engraving)
5199409 Peters Denial of Christ, St Luke, ch xxii, ver 55, 56 (engraving) by Jager, Gustav (1808-71); Private Collection; (add.info.: Peters Denial of Christ, St Luke, ch xxii, ver 55, 56)

The Circle of the Corrupt Officials: The Devils Mauling Each Other, Canto XXII
995614 The Circle of the Corrupt Officials: The Devils Mauling Each Other, Canto XXII, illustration to the Divine Comedy by Dante Alighieri, c.1827-38 (engraving) by Blake

The Circle of the Corrupt Officials: The Devils Mauling Each Other, Canto XXII
995599 The Circle of the Corrupt Officials: The Devils Mauling Each Other, Canto XXII, illustration to the Divine Comedy by Dante Alighieri, 1954 (engraving) by Blake

POPE JOANNES XXII (Jacques Dueze) (sometimes numbered Joannes XXI) Date: reigned 1316 -1334

Abraham and Isaac carrying the wood for the sacrifice. Engra
Old Testament. Book of Genesis. Abraham and Isaac. Patriarchs of Israel. Abraham and Isaac carrying the wood for the sacrifice. Chapter XXII, verses 13 to 8. Dore drawing. Engraving by Laplante

Crusader knight praying. Manuscript of the 12th c. Roy 2 A XXII, fol. 220. UNITED KINGDOM. London. The British Museum. Proc: UNITED KINGDOM. ENGLAND. London. Westminster

Initial D Pope John XXII Writing Man Sorrows
Initial D: Pope John XXII(?) Writing before the Man of Sorrows; Atelier of the Passion Master; Northeastern (illuminated)

Jesus on the Mount of Olives. Engraving. Colored
New Testament. Gospel of Luke. Chapter XXII. Jesus on the Mount of Olives. Gustave Dores drawing. Engraving by Pannemaker. 19th century. Colored

Young Woman Surrounded Briars Lightning Roses
Artokoloro

Karel Vitezslav Masek, Illustration for Jestrab Kontra Hrdlicka, XXII"
Karel Vitezslav Masek, Illustration for " Jestrab Kontra Hrdlicka, XXII" (Girl asleep on a bed), Czech, 1865 - 1927, c. 1890, pen and black ink with watercolor on board

JOHN XXII (1249-1334). Pope, 1316-1334. The election of John XXII. Miniature from the Cronaca Villani

Illuminated initial. 12th c. It belongs to a
" Illuminated initial. 12th c. It belongs to a copy of the work by St. Augustine of Hippo " The City of God" (De civitate dei libri XXII), 413 - 426. Romanesque art

Pope John XXII, together with clergymen and doctors

Scottish medium Helen Duncan blindfolded
Undated photograph of the Scottish medium Helen Duncan blindfolded during a sance, producing " ectoplasm" and a " hand". The photograph is annotated to show fraudulence

Codex Troano - 3
Part of a Calendar used by Maya priests, depicting gods and symbolic creatures Plate xxii

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"XXII: A Journey Through Engravings, Magic, and Biblical References" Step into a world where engravings come to life, as a magician mesmerizes the audience with the cup and balls trick. Proverbs XXII:1 echoes in our minds, reminding us of the importance of a good name and reputation. SE-ABA - Lappland - A. B. Aerotransport Swedish Airlines takes us soaring through the skies, connecting distant lands and cultures. Just like Abraham and Isaac carrying wood for sacrifice, we embark on journeys that test our faith and resilience. In Dante Alighieri's Divine Comedy, Canto XXII illustrates The Circle of Corrupt Officials; devils tormenting Ciampolo. This haunting engraving serves as a reminder of the consequences of greed and corruption. Peters Repentance captures a moment of remorse from St. Peter himself after denying Christ three times. Luke XXII:61-62 speaks volumes about forgiveness and redemption. Amidst these powerful scenes emerges an ethereal Nereid sea nymph adorned with bracelets—a symbol of beauty intertwined with nature's elements. The Charge of Joshua transports us back to ancient times as we witness Joshua leading his people fearlessly into battle against all odds—an inspiring tale of courage against adversity found in Joshua XXII. Lastly, Peters Denial reminds us how even the strongest can falter when faced with challenges. St Luke Chapter XXII verses 55-56 depict Peter's struggle during Jesus' crucifixion—an emotional portrayal etched forever in history. Through these diverse images engraved within our collective consciousness lies an invitation to explore different worlds—where magic meets morality, mythology dances with reality—and where art becomes a portal to understanding ourselves better.