Wyllie Collection (page 2)

The beach of Berck sur mer (Berck-sur-Mer) (France), with turbulent seas and characters on the beach
MMM5481697 The beach of Berck sur mer (Berck-sur-Mer) (France), with turbulent seas and characters on the beach. Watercolor, after 1890, by William Lionel Wyllie (1851-1931)

The north arch of the Old Bridge in London, England, with a description of men working on the river
MMM5481608 The north arch of the Old Bridge in London, England, with a description of men working on the river. Drawing, 1922 by William Lionel Wyllie (1851-1931), Size: 20.6x25.5 cm by Wyllie

Surrendered German battleships in the Firth of Forth, 1918 (watercolour, with graphite)
7341753 Surrendered German battleships in the Firth of Forth, 1918 (watercolour, with graphite) by Wyllie, William Lionel (1851-1931); 21.9x32 cm; National Maritime Museum, London

RMS Briton, late 19th to early 20th century (chromolithograph)
7341733 RMS Briton, late 19th to early 20th century (chromolithograph) by Wyllie, William Lionel (1851-1931); 27.4x21.3 cm; National Maritime Museum, London

Masters of the seas, 1915 (oil on canvas)
7339102 Masters of the seas, 1915 (oil on canvas) by Wyllie, William Lionel (1851-1931); 151.8x274.3 cm; National Maritime Museum, London

Santa Claus, coming down through a chimney, pulling a bag full of toys and a Christmas tree
MMM5481633 Santa Claus, coming down through a chimney, pulling a bag full of toys and a Christmas tree. Watercolor, early 20th century, by William Lionel Wyllie (1851-1931)

Homeward Bound, (oil on canvas laid on board)
657736 Homeward Bound, (oil on canvas laid on board) by Wyllie, William Lionel (1851-1931); Private Collection; (add.info.: Homeward Bound. William Lionel Wyllie (1851-1931)

"Crippled but Unconquered": H. M. S. Belleisle at Trafalgar, 21st October 1805 (oil on canvas)
5322271 "Crippled but Unconquered": H.M.S. Belleisle at Trafalgar, 21st October 1805 (oil on canvas) by Wyllie, William Lionel (1851-1931); 99.7x74.3 cm; Army and Navy Club, London, UK

Douglas Wyllie Scotland & Stewarts Melville 07 February 1994 Date: 07 February 1994

The First Battle Squadron leaving the Forth for the Battle of Jutland
824164 The First Battle Squadron leaving the Forth for the Battle of Jutland, 1917 (oil on canvas) by Wyllie, William Lionel (1851-1931); 92x200.8

Figures on the Banks of an Estuary, (oil on canvas)
657023 Figures on the Banks of an Estuary, (oil on canvas) by Wyllie, William Lionel (1851-1931); Private Collection; (add.info.: Figures on the Banks of an Estuary)

Eyre and Wylie threatened (colour litho)
871969 Eyre and Wylie threatened (colour litho) by Lambert, George Washington (1873-1930); Private Collection; (add.info.: illustration from Romance of Empire Australia)

High Barnet from Barnet Hill. Date: 1904

EyeUbiquitous_20071323
ENGLAND, Hampshire, Portsmouth, The house with wind vane known as Tower House that the marine artist W L Wyllie kived in on The Point at the entrance to the harbour

EyeUbiquitous_20071322
ENGLAND, Hampshire, Portsmouth, The house with wind vane known as Tower House that the marine artist W L Wyllie kived in on The Point at the entrance to the harbour

Caerphilly NP12 2 Map
Postcode Sector Map of Caerphilly NP12 2

The Opening Ceremony of the Tower Bridge, c1894. Creator: Unknown
The Opening Ceremony of the Tower Bridge, c1894. Tower Bridge over the River Thames in London was officially opened on 30 June 1894 by the then Prince of Wales (the future King Edward VII)

Start of Major Woods Unlucky Flight - Receiving a blessing
Major J C P Wood and Captain C C Wyllie met with misfortune during their preliminary flight from Eastchurch to Limerick, whence they intended to cross the Atlantic from west to east

The Pool of London, late 19th-early 20th century, (c1930). Creator: William Lionel Wyllie
The Pool of London, late 19th-early 20th century, (c1930). Steamships and barges on the River Thames at sunset, with the dome of St Pauls Cathedral in the distance

Commerce and Sea Power, 1898, (c1902). Creator: Unknown
Commerce and Sea Power, 1898, (c1902). A partly built naval vessel escorted by tugs surrounded by other ships and boats. From The Nations Pictures

Commerce and Sea Power, 1898. Artist: William Lionel Wyllie
Commerce and Sea Power, 1898. A partly built naval vessel escorted by tugs surrounded by other ships and boats

Tower Bridge viewed from the River Thames, London, c1894-1931

Unloading Coal into Barges, 1910. Artist: William Lionel Wyllie
Unloading Coal into Barges, 1910. From The British Isles in Pictures, by H. Clive Barnard, M.A. D.Lit. [A. & C. Black, Limited, London, 1910]

St. Pauls Cathedral, London, 1910. Artist: William Lionel Wyllie
St. Pauls Cathedral, London, 1910. From The British Isles in Pictures, by H. Clive Barnard, M.A. D.Lit. [A. & C. Black, Limited, London, 1910]

On the way to the festival. Private Collection

Towing Past The City, c1870-1880, (c1915). Artist: William Lionel Wyllie
Towing Past The City, c1870-1880, (c1915). From International Art: Past and Present by Alfred Yockney. [Virtue & Company, London, c1915]

Crippled But Unconquered (1905). HMS Belleisle at the Batle of Trafalgar, 1805. From Cassells History of England, Vol. IV, [Cassell and Company, Limited, London, Paris, New York & Melbourne, 1905]

Toil, Glitter, Glime and Wealth, 1883 (1935). Artist: William Lionel Wyllie
Toil, Glitter, Grime and Wealth on a Flowing Tide, 1883 (1935). After the painting by W. L. Wyllie, R.A. From Modern Masterpieces Part 8. [George Newnes Ltd, London, 1935]

London, from the Tower Bridge, 1905 (1906)
London, from the Tower Bridge, after William Lionel Wyllie (1851-1931). Originally printed in Wyllies book entitled London to the Nore

Shopfront, Blackfield, Glamorgan
Shopfront, Blackfield, Caerphilly, near Wyllie, Glamorgan, Wales. Date: 1910s

Aerial Combat over the Salient, 1916, by William Lionel Wyllie, RA RI RE (1851-1931). Date: 1916

Ypres - German bunker with observation post on top, by William Lionel Wyllie, RA RI RE (1851-1931)

The Salient - destroyed German bunker on the high ground, by William Lionel Wyllie, RA RI RE (1851-1931)

The Menin Road looking towards Hooge, c 1918
The Menin Road looking towards Hooge, c.1918, by William Lionel Wyllie, RA RI RE (1851-1931). Date: circa 1918

The Tower Bridge, from a drawing by C W Wyllie

Rochester / Wyllie 1905
Rochester, Kent: view of the River Medway

London River View
A view of London at dusk with St Pauls in the background. Wyllie is best known for his naval paintings and drawings. The title of this one is Towing Past the City

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"Wyllie: A Legacy of History, Art, and Tragedy" In the annals of history, the name Wyllie resonates with tales of triumph and tragedy. From the assassination of Sir Curzon Wyllie to the Battle of Jutland, this name has been etched into our collective memory. The seascape paintings by Wyllie transport us to a world where waves crash against rugged cliffs, reminding us of the power and beauty that lies within nature's embrace. As we gaze upon these masterpieces, we can almost hear the call of seagulls and feel the salty breeze on our faces. Sir Curzon Wyllie's life was cut short by an act of violence that shook an empire. His dedication to diplomacy was abruptly ended when his assassin's bullet found its mark. The echoes of this tragic event still reverberate through time, reminding us that even in times of peace, danger lurks in unexpected corners. "The Sea" - a phrase so simple yet profound. It encapsulates both tranquility and turmoil; it is a source of sustenance as well as destruction. Douglas Wyllie captured its essence in his artwork "Homeward Bound, " depicting ships battling against treacherous waters on their journey back home. As H. M. S Belleisle fought valiantly at Trafalgar in 1805, her crew embodied the spirit immortalized in "Crippled but Unconquered. " This oil painting serves as a testament to human resilience and determination amidst chaos and adversity. Eyre and Wylie faced threats head-on depicted vividly in colorful lithographs - symbols not only for their personal struggles but also for those who dare challenge societal norms or oppressive systems. Figures on the Banks of an Estuary beckon us towards contemplation – individuals standing at water's edge pondering life's mysteries while embracing nature’s serenity. In such moments lie the seeds of inspiration and introspection.