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Wounded Limb Collection (page 7)

In the midst of a snowy battlefield, the wounded limb becomes a symbol of resilience and sacrifice

Background imageWounded Limb Collection: Kosciuszko at Raclawice, 1888 (oil on canvas)

Kosciuszko at Raclawice, 1888 (oil on canvas)
7371302 Kosciuszko at Raclawice, 1888 (oil on canvas) by Matejko, Jan (1838-93); 465 x 897 cm; National Museum, Krakow, Poland; (add.info)

Background imageWounded Limb Collection: Pieta, 1520-25 (oil on panel)

Pieta, 1520-25 (oil on panel)
3362048 Pieta, 1520-25 (oil on panel) by Cranach, Lucas the Elder (1472-1553) or Hans (d.1537); Vatican Museums and Galleries, Vatican City; Photo © Stefano Baldini

Background imageWounded Limb Collection: Death of Adonis (oil on canvas)

Death of Adonis (oil on canvas)
7352773 Death of Adonis (oil on canvas) by Fiasella, Domenico Il Sarzana (1589-1669) ; 200x280 cm; Private Collection; (add.info.: Artist: Domenico Fiasella (1589-1669)); Luisa Ricciarini

Background imageWounded Limb Collection: Wounded bitch (pentelic marble)

Wounded bitch (pentelic marble)
3930098 Wounded bitch (pentelic marble) by Roman, (4th century BC); Museo Barracco, Rome, Italy; (add.info.: Roman copy signed by Sopratos of a greek original by Lysippus)

Background imageWounded Limb Collection: Saint Sebastian healed by Saint Irene (oil on canvas)

Saint Sebastian healed by Saint Irene (oil on canvas)
868078 Saint Sebastian healed by Saint Irene (oil on canvas) by Bigot, Trophime (c.1595-p.1650); Vatican Museums and Galleries, Vatican City; Photo © Stefano Baldini

Background imageWounded Limb Collection: Battle, 17th century (oil on canvas)

Battle, 17th century (oil on canvas)
7129552 Battle, 17th century (oil on canvas) by Rosa, Salvator (1615-73); Palazzo Corsini, Gallerie Nazionali Barberini Corsini, Rome, Italy; (add.info.: Battle, Salvator Rosa, cm 73 x 107)

Background imageWounded Limb Collection: We took the Hill, come and help us keep it Australian World War I recruitment poster, 1915

We took the Hill, come and help us keep it Australian World War I recruitment poster, 1915
528522 We took the Hill, come and help us keep it Australian World War I recruitment poster, 1915, possibly referring to Gallipoli campaign (Dardanelles). H J Watson (1874-1938) Australian artist

Background imageWounded Limb Collection: The Penitent St Francis, c. 1585 (oil on canvas)

The Penitent St Francis, c. 1585 (oil on canvas)
1108929 The Penitent St Francis, c.1585 (oil on canvas) by Carracci, Annibale (1560-1609); Musei Capitolini, Rome, Italy; (add.info.: by Annibale Carracci); Photo © Stefano Baldini

Background imageWounded Limb Collection: The Battle of the Milvian Bridge, in the Room of Constantine, Raphael Rooms, c. 1520-24 (fresco)

The Battle of the Milvian Bridge, in the Room of Constantine, Raphael Rooms, c. 1520-24 (fresco)
SBL426309 The Battle of the Milvian Bridge, in the Room of Constantine, Raphael Rooms, c.1520-24 (fresco) by Romano, Giulio (1492-1546); Vatican Museums and Galleries

Background imageWounded Limb Collection: On the field of honour, 1915 (litho)

On the field of honour, 1915 (litho)
KW345530 On the field of honour, 1915 (litho) by Christy, Howard Chandler (1873-1952) (after); Private Collection

Background imageWounded Limb Collection: Tore Hund by the dead body of Olaf the Holy at Stiklestad, 1876

Tore Hund by the dead body of Olaf the Holy at Stiklestad, 1876
7348795 Tore Hund by the dead body of Olaf the Holy at Stiklestad, 1876 by Isaachsen, Olaf (1835-93); 36.5x32.5 cm; Private Collection; (add.info.: Artist)

Background imageWounded Limb Collection: Medicine: on bandages by Soranus of Ephesus (manuscript)

Medicine: on bandages by Soranus of Ephesus (manuscript)
LRI4672783 Medicine: on bandages by Soranus of Ephesus (manuscript) by Unknown artist, (2nd-3rd century); Biblioteca Medicea-Laurenziana, Florence

Background imageWounded Limb Collection: The Second Battle of Ypres, 1914-19 (litho)

The Second Battle of Ypres, 1914-19 (litho)
STC359899 The Second Battle of Ypres, 1914-19 (litho) by Jack, Richard (1866-1952); Private Collection; (add.info.: April-May, 1915;); The Stapleton Collection

Background imageWounded Limb Collection: They do what they have to do, poster for the Loan for National Defence (litho)

They do what they have to do, poster for the Loan for National Defence (litho)
XIR182166 They do what they have to do, poster for the Loan for National Defence (litho) by Adler, Jules (1865-1952); Louvre, Paris, France; (add.info.: they too)

Background imageWounded Limb Collection: Normans and English Fall Side by Side in Battle, Bayeux Tapestry (wool embroidery on linen)

Normans and English Fall Side by Side in Battle, Bayeux Tapestry (wool embroidery on linen)
XIR154193 Normans and English Fall Side by Side in Battle, Bayeux Tapestry (wool embroidery on linen) by English School, (11th century); Musee de la Tapisserie, Bayeux

Background imageWounded Limb Collection: Normans and English Fall Side by Side in Battle, Bayeux Tapestry (wool embroidery on linen)

Normans and English Fall Side by Side in Battle, Bayeux Tapestry (wool embroidery on linen)
XIR175738 Normans and English Fall Side by Side in Battle, Bayeux Tapestry (wool embroidery on linen) by English School, (11th century); Musee de la Tapisserie, Bayeux

Background imageWounded Limb Collection: The Battle of Wissembourg, 3rd-4th August 1870, 1892 (coloured engraving)

The Battle of Wissembourg, 3rd-4th August 1870, 1892 (coloured engraving)
PLT238260 The Battle of Wissembourg, 3rd-4th August 1870, 1892 (coloured engraving) by Beuzon, Joseph Charles (fl.1892) (after); Musee de l'Armee, Brussels, Belgium; © Patrick Lorette

Background imageWounded Limb Collection: A Terrible Car Accident in Rousses, in the Jura, from Le Petit Journal

A Terrible Car Accident in Rousses, in the Jura, from Le Petit Journal, 14th August 1904 (colour litho)
CHT169320 A Terrible Car Accident in Rousses, in the Jura, from Le Petit Journal, 14th August 1904 (colour litho) by French School

Background imageWounded Limb Collection: Parish museum. Painting. Ecce homo. Madrid school. Oil on canvas. 17th century

Parish museum. Painting. Ecce homo. Madrid school. Oil on canvas. 17th century
6265819 Parish museum. Painting. Ecce homo. Madrid school. Oil on canvas. 17th century. by Spanish School, (17th century); Museo Parroquial de Tapices de Pastrana, Guadalajara

Background imageWounded Limb Collection: The Lamentation, c. 1500 (oil on panel)

The Lamentation, c. 1500 (oil on panel)
7332575 The Lamentation, c.1500 (oil on panel) by Goes, Hugo van der (c.1440-82); Museum voor Schone Kunsten, Ghent, Belgium; (add.info.: Museum voor Schone Kunsten, Oost-Vlaanderen)

Background imageWounded Limb Collection: Honour to the Heros of Colonial Expansion, front cover of an illustrated supplement to Le Petit

Honour to the Heros of Colonial Expansion, front cover of an illustrated supplement to Le Petit Journal
CHT189320 Honour to the Heros of Colonial Expansion, front cover of an illustrated supplement to Le Petit Journal, 6th March 1910 (colour litho) by Jones, Thomas (1742-1803) & Mortimer

Background imageWounded Limb Collection: Hundred Years War: Philippe VI of Valois asks for asylum at the Chateau de Broye (1346)

Hundred Years War: Philippe VI of Valois asks for asylum at the Chateau de Broye (1346), 1896 (illustration)
7304535 Hundred Years War: Philippe VI of Valois asks for asylum at the Chateau de Broye (1346), 1896 (illustration) by Job, pseudonym for Onfray de Breville

Background imageWounded Limb Collection: Man of Sorrows (oil on panel)

Man of Sorrows (oil on panel)
490113 Man of Sorrows (oil on panel) by Flemish School, (15th century); Groeningemuseum, Bruges, Belgium; (add.info.: See also 490111. ); © Art in Flanders

Background imageWounded Limb Collection: Retreat from Moscow, 1812, 19th century (print)

Retreat from Moscow, 1812, 19th century (print)
7315200 Retreat from Moscow, 1812, 19th century (print) by Gericault, Theodore (1791-1824) (after); Private Collection; (add.info.: Retreat from Moscow, 1812)

Background imageWounded Limb Collection: 2022 Rosa Bonheur (1822-1899)

2022 Rosa Bonheur (1822-1899)
7337082 by Bonheur, Rosa (1822-99); Los Angeles County Museum of Art, CA, USA; © Jean-Paul Paireault

Background imageWounded Limb Collection: The Crucifixion (oil on panel)

The Crucifixion (oil on panel)
490267 The Crucifixion (oil on panel) by Provoost, Jan (c.1465-1529); 117x172.5 cm; Groeningemuseum, Bruges, Belgium; © Art in Flanders

Background imageWounded Limb Collection: A Bit of War History: The Veteran, 1866 (oil on canvas)

A Bit of War History: The Veteran, 1866 (oil on canvas)
7327503 A Bit of War History: The Veteran, 1866 (oil on canvas) by Wood, Thomas Waterman (1823-1903); 71.8 x 51.4 cm; Metropolitan Museum of Art, New York

Background imageWounded Limb Collection: Landscape with the Good Samaritan (oil on canvas)

Landscape with the Good Samaritan (oil on canvas)
6336927 Landscape with the Good Samaritan (oil on canvas) by Mostaert, Frans (1528-60); Koninklijk Museum voor Schone Kunsten, Antwerp

Background imageWounded Limb Collection: Mater Dolorose and Man of Sorrows (oil on panel)

Mater Dolorose and Man of Sorrows (oil on panel)
490111 Mater Dolorose and Man of Sorrows (oil on panel) by Flemish School, (15th century); Groeningemuseum, Bruges, Belgium; © Art in Flanders

Background imageWounded Limb Collection: Christ Showing his Wounds, 1921 (oil on canvas)

Christ Showing his Wounds, 1921 (oil on canvas)
471282 Christ Showing his Wounds, 1921 (oil on canvas) by Woestyne, Gustave van de (1881-1947); 161x137 cm; Koninklijk Museum voor Schone Kunsten, Antwerp, Belgium; © Art in Flanders

Background imageWounded Limb Collection: The Man of Sorrows, 1430 (oil on panel)

The Man of Sorrows, 1430 (oil on panel)
LAF470816 The Man of Sorrows, 1430 (oil on panel) by Campin, Robert (c.1378-1444); 36x28 cm; Museum voor Schone Kunsten, Ghent, Belgium; © Art in Flanders

Background imageWounded Limb Collection: Calvary, from the Orsini Polyptych (tempera on panel) (see also 471172-4)

Calvary, from the Orsini Polyptych (tempera on panel) (see also 471172-4)
471175 Calvary, from the Orsini Polyptych (tempera on panel) (see also 471172-4) by Martini, Simone (1284-1344); 23x14 cm; Koninklijk Museum voor Schone Kunsten, Antwerp

Background imageWounded Limb Collection: A young maid committed suicide by throwing herself into the bear den in Frankfurt am Main

A young maid committed suicide by throwing herself into the bear den in Frankfurt am Main, 1891 (engraving)
7315363 A young maid committed suicide by throwing herself into the bear den in Frankfurt am Main, 1891 (engraving) by Meaulle, Fortune Louis (1844-1901) & Meyer

Background imageWounded Limb Collection: The nurses bandage his leg and put his arm back on (verse 7), 1880 (engraving)

The nurses bandage his leg and put his arm back on (verse 7), 1880 (engraving)
7312485 The nurses bandage his leg and put his arm back on (verse 7), 1880 (engraving) by Froelich, Lorentz (1820-1908); 27, 5x18

Background imageWounded Limb Collection: The Dead Christ with Angels, c. 1580 (oil on canvas)

The Dead Christ with Angels, c. 1580 (oil on canvas)
XOS5887446 The Dead Christ with Angels, c. 1580 (oil on canvas) by Bassano, Leandro da Ponte (1557-1622); 157x129.5 cm; Cleveland Museum of Art, OH, USA; (add.info.: by Bassano)

Background imageWounded Limb Collection: The nurses look after Guilleri (verse 6), 1880 (engraving)

The nurses look after Guilleri (verse 6), 1880 (engraving)
7312484 The nurses look after Guilleri (verse 6), 1880 (engraving) by Froelich, Lorentz (1820-1908); 27, 5x18, 5 cm; Private Collection; (add.info)

Background imageWounded Limb Collection: Couples 5 to 7, 1880 (engraving)

Couples 5 to 7, 1880 (engraving)
7312482 Couples 5 to 7, 1880 (engraving) by Froelich, Lorentz (1820-1908); 27, 5x18, 5 cm; Private Collection; (add.info.: Couplets 5 to 7 in "Songs and rounds from childhood)

Background imageWounded Limb Collection: At the sound of Guilleri's fall, the ladies of the Hospital run up (verse 5), 1880 (engraving)

At the sound of Guilleri's fall, the ladies of the Hospital run up (verse 5), 1880 (engraving)
7312483 At the sound of Guilleri's fall, the ladies of the Hospital run up (verse 5), 1880 (engraving) by Froelich, Lorentz (1820-1908); 27, 5x18

Background imageWounded Limb Collection: Guilleri fell and broke his leg and half his arm (verse 4), 1880 (engraving)

Guilleri fell and broke his leg and half his arm (verse 4), 1880 (engraving)
7312481 Guilleri fell and broke his leg and half his arm (verse 4), 1880 (engraving) by Froelich, Lorentz (1820-1908); 27, 5x18

Background imageWounded Limb Collection: Hundred Years War: Battle of Poitiers (1356), end of 19th century (Chromolithography)

Hundred Years War: Battle of Poitiers (1356), end of 19th century (Chromolithography)
7312237 Hundred Years War: Battle of Poitiers (1356), end of 19th century (Chromolithography); Private Collection; (add.info.: Hundred Years War: Battle of Poitiers on September 19)

Background imageWounded Limb Collection: Battle of Froeschwiller-Woerth (1870) Cuirassiers tomb, 1896 (illustration)

Battle of Froeschwiller-Woerth (1870) Cuirassiers tomb, 1896 (illustration)
7304514 Battle of Froeschwiller-Woerth (1870) Cuirassiers tomb, 1896 (illustration) by Job, pseudonym for Onfray de Breville

Background imageWounded Limb Collection: Montenegrin women transporting wounded soldiers, World War I, 1915 (colour litho)

Montenegrin women transporting wounded soldiers, World War I, 1915 (colour litho)
6000373 Montenegrin women transporting wounded soldiers, World War I, 1915 (colour litho) by Damblans, Eugene (1865-1945); Private Collection; (add.info)

Background imageWounded Limb Collection: Albert I, King of the Belgians, carrying a wounded soldier into the hospital where Queen Elisabeth

Albert I, King of the Belgians, carrying a wounded soldier into the hospital where Queen Elisabeth was working
6000329 Albert I, King of the Belgians, carrying a wounded soldier into the hospital where Queen Elisabeth was working, World War I, 1915 (colour litho) by Damblans

Background imageWounded Limb Collection: The Neglectful Fool, 1660-86 (brush and Indian ink on paper)

The Neglectful Fool, 1660-86 (brush and Indian ink on paper)
7308344 The Neglectful Fool, 1660-86 (brush and Indian ink on paper) by Stettler, Wilhelm (1643-1708); 11.5x10.5 cm; Ashmolean Museum, University of Oxford

Background imageWounded Limb Collection: Battle of Legnano, 29 May 1176, c. 1860 (oil on canvas)

Battle of Legnano, 29 May 1176, c. 1860 (oil on canvas)
884879 Battle of Legnano, 29 May 1176, c.1860 (oil on canvas) by Cassioli, Amos (1832-1891); Galleria d'Arte Moderna, Palazzo Pitti, Florence, Tuscany



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In the midst of a snowy battlefield, the wounded limb becomes a symbol of resilience and sacrifice. Bataille de neige à Romorantin captures the king's valiant assault on Saint-Pol's house, despite his injuries. The Red Cross Nurse in WWI stands as an emblem of compassion amidst the chaos, tending to those with wounded limbs. A striking lithograph poster depicts a German pilot standing tall in his cockpit, wounded but unyielding, and is a testament to the indomitable spirit that resides within even the most injured souls. The last stand of Major Allan Wilson on the Shangani River echoes through time, illustrating bravery in adversity during the First Matabele War. Recovering fallen comrades after the siege of Plevna reveals both sorrow and honor intertwined. Master Commandant Oliver Hazard Perry's transfer between US Brig Lawrence and US Brig Niagara exemplifies determination amidst battle at Lake Erie. Barbarossa Hayreddin Pasha's triumph over Charles V at Preveza showcases strength against all odds. Passchendaele's haunting oil painting portrays soldiers with wounded limbs fighting for their lives during World War I. The Good Samaritan reminds us that healing can come from unexpected sources, while Balaclava immortalizes valor amid conflict. "The Outlaw" evokes sympathy for one who may have been forced into violence due to circumstances beyond their control. Lastly, The Battle of Evesham marks both victory and tragedy as Prince Edward defeats Simon de Montfort but mourns his loss. Through these diverse depictions spanning centuries and continents, we witness humanity's unwavering spirit in times of war and strife - forever reminded that even with wounded limbs, courage endures.