Worry Collection (page 10)

Double twins (colour litho)
3641776 Double twins (colour litho) by English School, (20th century); Private Collection; (add.info.: Double twins. Postcard, early 20th century.); © Look and Learn

The Darkened Room, 1913 (oil on canvas)
2829775 The Darkened Room, 1913 (oil on canvas) by Swaish, Frederick George (1879-1931); 122x172.5 cm; Bristol Museum and Art Gallery, UK; eBristol Museums, Galleries & Archives; Purchased

Concern in London over the illness of King Edward VII (colour litho)
2795620 Concern in London over the illness of King Edward VII (colour litho) by French School, (20th century); Private Collection; (add.info.: Concern in London over the illness of King Edward VII)

The King talks of having Hamlet killed, from Hamlet by William Shakespeare
IL388125 The King talks of having Hamlet killed, from Hamlet by William Shakespeare, edition published by Hodder & Stoughton in 1915 (colour litho) by Simmonds, W. G

Dilemma, caricature from L Assiette au Beurre, 2 November
XIR418453 Dilemma, caricature from L Assiette au Beurre, 2 November, 1901 (colour litho) by Gottlob, Fernand Louis (1873-1935); Musee de La Presse, Paris

Adam and Eve in the Garden of Eden, 1491 (woodcut)
986286 Adam and Eve in the Garden of Eden, 1491 (woodcut) by Wolgemuth, Michael (1434-1519) & Pleydenwurff, W. (d.1494); 31.4x22 cm; Private Collection; (add.info)

Captain Jack Bunsby, from Dombey and Son (1848), 1883 (pen and ink, watercolour)
985868 Captain Jack Bunsby, from Dombey and Son (1848), 1883 (pen and ink, watercolour) by Clarke, Joseph Clayton (Kyd) (1856-1937); 29.2x22.1 cm; Private Collection; (add.info.: Captain Jack Bunsby)

Sylvia (oil on canvas)
AGN125663 Sylvia (oil on canvas) by Gilman, Harold (1876-1919); 59.7x44.5 cm; Private Collection; Photo eAgnew s, London; English, out of copyright

Ms 17 Esther, from Vie des Femmes Celebres, c. 1505 (vellum)
XIR187025 Ms 17 Esther, from Vie des Femmes Celebres, c.1505 (vellum) by French School, (16th century); Musee Thomas Dobree, Nantes

Scene outside the Birkbeck Bank, London, during the building society crisis of 1892 (litho)
6014154 Scene outside the Birkbeck Bank, London, during the building society crisis of 1892 (litho) by English School, (19th century); Private Collection; (add.info.: Scene outside the Birkbeck Bank)

Punch cartoon: Revolutions of 1848 (engraving)
6034615 Punch cartoon: Revolutions of 1848 (engraving) by Doyle, Richard (1824-83); Private Collection; (add.info.: Revolutions of 1848)

Full-Face Portrait of a Lady; Damenbildnis en face, c. 1898 (oil on board)
1768014 Full-Face Portrait of a Lady; Damenbildnis en face, c.1898 (oil on board) by Klimt, Gustav (1862-1918); 43.4x34 cm; Private Collection; Photo eChristies Images; Austrian, out of copyright

News of the Missing Ship (engraving)
1596869 News of the Missing Ship (engraving) by Rainey, William (1852-1936) (after); Private Collection; (add.info.: News of the Missing Ship)

Portrait of a Lady, c. 1909-1910 (pencil and grey wash)
1197427 Portrait of a Lady, c. 1909-1910 (pencil and grey wash) by John, Gwen (1876-1939); 20.3x15.5 cm; Private Collection; Photo eChristies Images; Welsh, out of copyright

The Sailors Return, (oil on canvas)
823275 The Sailors Return, (oil on canvas) by Hovenden, Thomas (1840-95); 91.5x145 cm; Private Collection; (add.info.: The Sailors Return. Oil on canvas. Thomas Hovenden (1840-1895). Painted in 1892

For Those in Peril on the Sea (engraving)
1044703 For Those in Peril on the Sea (engraving) by Reinhart, Charles Stanley (1844-96) (after); Private Collection; (add.info.: For Those in Peril on the Sea)

The apprehensive blacksmiths apprentice (colour litho)
3097089 The apprehensive blacksmiths apprentice (colour litho) by German School, (19th century); Private Collection; (add.info.: The apprehensive blacksmiths apprentice)

In the Fishing Season, (watercolour on textured paper)
827112 In the Fishing Season, (watercolour on textured paper) by Langley, Walter (1852-1922); 106.8x73.8 cm; Private Collection; (add.info.: In the Fishing Season. Walter Langley (1852-1922)

The Father and his Sick Child (engraving)
3625994 The Father and his Sick Child (engraving) by English School, (19th century); Private Collection; (add.info.: The Father and his Sick Child. Illustration for Chatterbox (1867)

Man with the Broken Nose; L Homme au Nez Casse, 1864 (bronze)
824484 Man with the Broken Nose; L Homme au Nez Casse, 1864 (bronze) by Rodin, Auguste (1840-1917); 30.5 high cm; Private Collection; (add.info.: Man with the Broken Nose; L Homme au Nez Casse)

Hospital for children (engraving)
3621969 Hospital for children (engraving) by English School, (19th century); Private Collection; (add.info.: Hospital for children)

A Nightmare, (oil on canvas)
652162 A Nightmare, (oil on canvas) by Holst, Theodor M. von (1810-44); 151.7x91.5 cm; Private Collection; (add.info.: A Nightmare. Theodor M. von Holst (1810-1844). Oil on canvas

A Nude at the Mirror, (oil on canvas)
652980 A Nude at the Mirror, (oil on canvas) by Picard, Louis (1861-1940); 92x65 cm; Private Collection; (add.info.: A Nude at the Mirror. Louis Picard (1861-1940). Oil on canvas

Woman with a Painting; La Femme au Tableau, (oil on canvas)
656654 Woman with a Painting; La Femme au Tableau, (oil on canvas) by Gris, Juan (1887-1927); Private Collection; (add.info.: Woman with a Painting; La Femme au Tableau. Juan Gris (1887-1927)

Agnes, 1910 (oil on canvas)
656391 Agnes, 1910 (oil on canvas) by Cassatt, Mary Stevenson (1844-1926); 54.5x47 cm; Private Collection; (add.info.: Agnes. Mary Cassatt (1844-1926). Oil on canvas. Painted in 1910. 54.5 x 47cm

The Approaching Storm, 1834 (oil on canvas)
658531 The Approaching Storm, 1834 (oil on canvas) by Winterhalter, Franz Xaver (1805-73); 47.7x38.1 cm; Private Collection; (add.info.: The Approaching Storm. Franz Xaver Winterhalter (1805-1875)

The Peacemaker, (oil on canvas)
658276 The Peacemaker, (oil on canvas) by Hardy, Heywood (1842-1933); 63.8x48.2 cm; Private Collection; (add.info.: The Peacemaker. Heywood Hardy (1843-1933). Oil on canvas

The Distressed Poet, illustration from Hogarth Restored
STC451163 The Distressed Poet, illustration from Hogarth Restored: The Whole Works of the celebrated William Hogarth, re-engraved by Thomas Cook, pub

Girls Watching Bee Whilst Playing With Ball (chromolitho)
733367 Girls Watching Bee Whilst Playing With Ball (chromolitho) by American School, (19th century); Private Collection; (add.info)

Harald sat by her side and watched her, illustration from The Book of Sagas
IL370565 Harald sat by her side and watched her, illustration from The Book of Sagas by Alice S. Hoffman, published in 1926 (colour litho) by Browne

Reading the Army Report, 1807 (oil on canvas)
AGN49540 Reading the Army Report, 1807 (oil on canvas) by Boilly, Louis Leopold (1761-1845); 44.5x58.4 cm; Private Collection; (add.info)

Dr Syntax in Danger, from The Tour of Dr Syntax in search of the Picturesque
STC213549 Dr Syntax in Danger, from The Tour of Dr Syntax in search of the Picturesque, by William Combe, published 1812 (aquatint) by Rowlandson

Drawing Lots for Conscription (coloured engraving)
PLT178988 Drawing Lots for Conscription (coloured engraving) by Lecomte, Hippolyte (1781-1857) (after); Private Collection; (add.info)

Caricature of the Cafe des Varietes, early 19th century (coloured engraving)
CHT177417 Caricature of the Cafe des Varietes, early 19th century (coloured engraving) by French School, (19th century); Musee de la Ville de Paris, Musee Carnavalet, Paris

"He... burst into a passion of sobs"(engraving)
6003656 " He.... burst into a passion of sobs" (engraving) by English School, (19th century); Private Collection; (add.info.: " He)

Crowds on the street outside the Stock Exchange in the City of London as Britain abandoned the gold standard
6015589 Crowds on the street outside the Stock Exchange in the City of London as Britain abandoned the gold standard, 1931 (b/w photo) by English Photographer

Study of a Man in Profile, c. 1812 (oil on canvas)
1197505 Study of a Man in Profile, c.1812 (oil on canvas) by Gericault, Theodore (1791-1824); 35x36.3 cm; Private Collection; Photo eChristies Images; French, out of copyright

Reading in the Garden; or Woman in Red Hat, c. 1880-1882 (pastel and charcoal on canvas)
1196576 Reading in the Garden; or Woman in Red Hat, c. 1880-1882 (pastel and charcoal on canvas) by Gonzales, Eva (1849-83); 38.5x55.5 cm; Private Collection; Photo eChristies Images; French

Irreparable (colour litho)
1195770 Irreparable (colour litho) by Yakunchikova, Maria (1870-1902); 24.7x28.6 cm; Private Collection; (add.info.: Yakunchikova, Maria (1870-1902)); Photo eChristies Images; Russian

A Stranger, 1883 (oil on canvas)
824376 A Stranger, 1883 (oil on canvas) by Lavery, John (1856-1941); 50.2x50.5 cm; Private Collection; (add.info.: A Stranger. Sir John Lavery (1856-1941). Oil on canvas. Signed and dated 1883

Group of Figures with Raised Hand; Figurengruppe mit Erhobener Hand
824315 Group of Figures with Raised Hand; Figurengruppe mit Erhobener Hand, 1941 (oil and lacquer on board) by Schlemmer, Oskar (1888-1943); 82x59.7 cm; Private Collection; (add.info)

Portrait of Annie Miller, 1860s (pencil on paper)
1199596 Portrait of Annie Miller, 1860s (pencil on paper) by Rossetti, Dante Gabriel Charles (1828-82); 32.7x32.2 cm; Private Collection; Photo eChristies Images; English, out of copyright

Never Mind!, 1884 (oil on canvas)
987321 Never Mind!, 1884 (oil on canvas) by Morgan, Frederick (1856-1927); 83.8x96.5 cm; Private Collection; (add.info.: Never Mind! Frederick Morgan (1856-1927). Oil on canvas. Painted in 1884

Silent Pleading, 1858 (oil on canvas)
3822457 Silent Pleading, 1858 (oil on canvas) by Stone, Marcus (1840-1921); 94x71.7 cm; Calderdale Museums Service, West Yorkshire, UK; eCalderdale Borough Council; English, out of copyright

A girl helping a little girl down the steps to a stream (chromolitho)
5217604 A girl helping a little girl down the steps to a stream (chromolitho) by English School, (19th century); Private Collection; (add.info)

Well, Upon My Word, (oil on canvas)
822948 Well, Upon My Word, (oil on canvas) by Markham, Charles Cole (1837-1907); 56x36 cm; Private Collection; (add.info.: Well, Upon My Word. Charles Cole Markham (1837-1907. Oil on canvas)

Ruin (engraving)
1057475 Ruin (engraving) by Green, Charles (1840-98) (after); Private Collection; (add.info.: Ruin. Illustration for The Graphic, 1871.); Look and Learn / Illustrated Papers Collection; English

Hard Times (oil on canvas)
BOU202940 Hard Times (oil on canvas) by Faed, Thomas (1826-1900); Private Collection; Bourne Gallery, Reigate, Surrey; Scottish, out of copyright

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"Don't Worry, Be Happy: A Reflection on the Many Faces of Worry" In a serene winter landscape in Elkhorn, Wisconsin, an English Springer Spaniel gazes into the distance. Its expressive eyes seem to say, "Don't worry about me. " as it embraces the simplicity and joy of living in the present moment. Meanwhile, a couple sits at their kitchen table in deep contemplation. Their furrowed brows reveal a problem of income as they strive to balance their books. The weight of financial worries hangs heavy upon them, reminding us that sometimes life's challenges can consume our thoughts. Turning back time to 1634 Amsterdam, we encounter Aechje Claesdr captured by Rembrandt Harmensz van Rijn's brushstrokes. Her pensive expression hints at personal concerns and uncertainties that transcend time itself. We are reminded that worry is not bound by any specific era or circumstance; it is a universal human experience. Transporting ourselves further into literature with Anthony Trollope's Framley Parsonage scene painted by John Everett Millais in 1860, we witness characters immersed in their own worries and dilemmas. It serves as a reminder that even fictional worlds are filled with individuals grappling with anxieties unique to their lives. Fast forward to 1915 when Frank Reynolds depicts Mr Winkle nervously stepping onto ice for the first time. His comical expression captures both fear and anticipation—an embodiment of how worry often accompanies new experiences or ventures into uncharted territory. During times of war, society grapples with collective concerns like rationing depicted through wartime coupons and patriotic advertisements from Olivetti in 1932—a testament to how external circumstances shape our worries on both individual and societal levels. Yet amidst all this turmoil, laughter remains an antidote for worry—Bob Monkhouse alongside Kenneth Connor remind us that humor can alleviate burdensome thoughts even during challenging times. Shifting our focus to political landscapes, we encounter ministers and the Republican defense.